The so-called deep love, the responsibility of the cut. I also admire Jun Soo Hyun very much, and I am full of expectations. It's just that both of you have become gods, but the plot has always been flawed.
Isn't it agreed that they will heal each other? Shouldn't you take a step forward, I take a step back, I take a step back, and you take a step back? Why only Gao Wenying keeps attacking, and Wen Gangtai keeps retreating? The most exciting thing about love is that it can't help itself! I didn't see the plot like Do Minjun's high fever after being kissed, and I didn't see Do Minjun uncontrollably sending text messages, and reluctantly deleting text messages, showing up for no reason. Can't help but freeze time, in order not to hear Qian Songyi agree to Park Haejin's marriage proposal. As the saying goes, love doesn't know where to start, but love is deep in the past. This is love.
Does the screenwriter need to express Wen Gangtai's repressed personality every time he interacts with the heroine? The director is not afraid of being sent a blade? Indeed, Wen Gang wanted to love too much but didn't dare to love, because he loved his brother and lost himself, which was the focus of the TV series. But that's not a reason to kill love. On the contrary, this kind of repressed personality is both cautious in love and out of control, which is reasonable and the correct opening posture of love. The contradiction and conflict of wanting to love but not being able to love has both highlights and reversals, so that the audience can be amazed. How can it be like Wen Gang is too stagnant, the heroine Gao Wenying throws more stones, and then there is a slight ripple, is this still love? What the audience wants to see is that you throw a stone, and I will be in a storm! To you, I really can't help myself, I want to suppress but I can't do anything!
The performance of the suppressed personality, the screenwriter has shown in the work, can be more focused on portraying. The performance is suppressed, and your director can express it in the pursuit of material things, some beautiful things, such as the violin, you want but can't for the sake of your brother! The expression of suppressed personality can be expressed in the pursuit of dreams. My brother has a hobby and can paint. What about Wen Gangtai? He is exhausted for his brother, has no ideals, and has no soul! This is also the reason for Wen Gangtai's character list. "Like a person who has nothing but kindness" is certainly touching. But director, is your repression too much? You can let your brother kill Wen Gangtai's dream, but you can't kill his impulse to pursue love! Can even the urge to love be restrained? ! Is it still a romance? What the audience wants to see is love! How can the screenwriter fail the audience's expectations so much? Wen Gangtai, who has no dreams, really has nothing, not material, but soul. Only kindness and good looks are really not enough... Why would the audience accept and like the character of Wen Gangtai? Is it just because Kim Soo Hyun has a strong idol halo? Take off his idol halo, a man without a soul or even a skill, will it really make people move? Wen Gangtai's character is biased towards the image of a warm man, and a warm man should at least be able to cook, right? Wen Gangtai is not even good at cooking, so I really don't understand. After all, the two brothers support each other and depend on each other. It is reasonable to be able to cook delicious food.
Sex is not intoxicating, people are self-intoxicating. Beauty can indeed make people addicted at the beginning, but if there is no connotation, he is just a little fresh meat, just a vase, and it is not attractive. The heroine Gao Wenying's mental illness is really not a problem. Her illness is loneliness, her overreaction when she is hurt, and that's all. Since episode 3, she has been responsible for the strength of the plot, which is very normal.
If it is said that depression is the label of Wen Gangtai. "Impulse" should be the scary part of Gao Wenying. The heroine's impulse is to protect herself or to destroy everything. What did her horrible mother teach her? What is the obsession of the mother? What kind of spiritual imprint has it left on Gao Wenying? Only when the director explains this issue thoroughly and deeply, will the heroine's character become more plump.
Wenying's character is more lonely and more fearful. A person who longs for love but dares not love, does not understand love. If impulsiveness is only Wenying's means of protecting herself, then her mother's destruction of her soul is actually not profound enough. Unable to restrain herself from hurting others in her impulse, Wen Ying raised the knife to Wen Gang Tai, and Gang Tai took the knife with her bare hands. Unable to control her impulse to hurt others, Wen Ying pushed the scum book review downstairs.
What does her illness have to do with her mother? What does her illness have to do with her childhood? The screenwriter really didn't explain the logic well before and after.
Her mother is the incarnation of the witch of the West, a sociopath who despises a good person, and an imperfect person does not deserve happiness. In this case, her daughter Gao Wenying should still have the urge to destroy and tear apart all the beautiful things. Not digging deeply into the formation of this childhood and personality, so as to weaken the depth of the work. The work is not very logical for her mother's plot. Why did her mother Do Hee-jae stay in the Okay Mental Hospital? The main purpose should be to torture his husband? Otherwise it is too unreasonable. Most of her actions should be directed at her husband, tortured slowly!
The dean is treating the patient, she is destroying the patient, destroying everything. This conflict will run through the entire main line. Although her mother, Du Xicai, has not been discovered, she is always there. The director has to foreshadow everywhere! People who are about to be cured will get worse for no reason, and suspense will be set up in advance. Let the dark cloud of terror appear without warning. Only this can make Gao Wenying unable to get rid of his fear of his mother! When she is close to happiness, pouring cold water on her is the correct way to open the plot. It can't just be for the surprise of the result, and suddenly it's the head nurse! The audience will only be inexplicable, and the plot without foreshadowing is all nonsense. And only when her mother is the culprit, Gao Wenying's personality will be fuller and more three-dimensional. Of course, the characters that I am most satisfied with in this drama are the elder brother Shang Tai and the daughter's mother Jiang Shunde. Jiang's mother said: "To overcome difficulties is not by willpower, but by having a full stomach." Only I often eat fast food in the city, how eager I am to go home from get off work and eat home-cooked meals made by my mother. In reality, I eat a bite of fast-heating rice, and pieces of synthetic meat. I always feel that a hot meal is really the greatest strength to overcome difficulties! With 2 children, I only cook no more than 3 meals a week, and I feel that my children grew up eating fast food. One day, I will also try to be a ginger mother...
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