The soundtrack is great, and the pre-cam rotation is very chic.
The strong, arrogant, and eccentric character of the heroine is well-created. The character of the male protagonist is not very clear in the early stage. In the mid-term, the supporting role has repeatedly pointed out his "forbearance". Although there is a foreshadowing, it still makes people feel a little stiff. And the transformation of the male protagonist to become cheerful after being influenced by the female protagonist is equally cramped. I think the reason for this feeling is probably that the foreshadowing was too late.
It's great to use fairy tales etc to hint at the development of each episode.
When the male protagonist was cut and bleed for the first time, the wound was on the lower part of the palm, but later when the scar was formed, it ended up on the palm of the hand--
Although the content is very novel, the development of the plot is still out of the way, and it is difficult for people to have a sense of resonance. For example, the female protagonist was walking down the street after being strangled by her father, and the male protagonist happened to be passing by on a bus and happened to see it.
"It's not the development of the plot that the character's character promotes, but for the plot to develop in this way, certain actions are imposed on the characters" There are many parts of the plot that make people feel this way. For example, the elder brother shouted "My younger brother wants to kill me" in the hospital, and the sudden outbreak of lack of foreshadowing in the early stage seemed quite abrupt. I always felt that the reason for the intensification of the conflict and the climax of the plot was that the elder brother had to make such a fuss.
It would be ridiculous to be able to enter the hostess's house casually! Although the male protagonist said "you should remember to lock the door when you are at home alone" to show that it is understandable that outsiders can enter casually, but the female protagonist still does not lock the door after being reminded, which is outrageous! It would be ridiculous for her not to lock the door after such incidents as the patient maliciously came to her home to celebrate her birthday!
It is clear that the heroine's father has already pushed Du Xicai downstairs to death, but Du Xicai is still alive, I am very puzzled (it may be that I didn't take it seriously enough, because I was too bored in the later stage and jumped to watch it. ).
After Du Xicai's identity was revealed, the plot should have reached the climax of the whole drama, the most intense and exciting part, but for about a whole episode, Du Xicai did not have a camera, and it was all about the development of contradictions after the hero and heroine knew the truth, and when When Du Xicai really wanted to start, most of the tense environment created in the early stage was gone.
The actor who plays Do Hee Jae is really good! When she was still the head nurse before her identity was revealed, I felt that there was a little bit of sinisterness in her kind and smiling eyes, but I didn't expect that she really wasn't a good person in the end. The madness and hideousness of the final restoration of identity are also well performed.
In the end, when confessing, cutting hands, and about to kiss, the deer calls first and last to echo the praise.
In a word, the overall plot is indeed cliché, but some small details are handled relatively uniquely. Although it reflects a certain social reality, it is difficult for me to have a sense of resonance. 7.7 points
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