The second very strange point is that the female protagonist's character in high school is really unfortunate, willful, squeamish, and inexplicable. Even if such a girl meets me in reality, she will definitely hide away. But by the end of the whole film, she didn't hate her very much, and I didn't even rate it emotionally because of this (I'm definitely a very subjective person).
When I think about the "Big Fish and Begonia" I watched recently, this film was really smashed by me, mainly because of the heroine's setting. But compared to this film, I still give 4 stars very pertinently. I thought about the reason for a noon.
Maybe it's because its indifference dissolves all the malice left by prejudice.
Until the end of the movie, I thought it was a movie with a male perspective on reminiscing about high school. As a girl, I understand very well how tragic and profound imprints the emotional ignorance of adolescence is, but in this film, the emotional clues of the heroine are not obvious, broken, and incomplete. So it is natural to think that it is narrated from the perspective of the male protagonist, which seems to be the case at the beginning of the film. But in the end, it was discovered that the emotional clues of the male protagonist were not clear, or were not fully revealed. The emotions of the entire high school memory part are obscure. The male protagonist is advancing the narrative, but he does not know his mood. So this is a double "isolation" for a female audience. So much so that in the end, I probably understood why the heroine was so capricious and incomprehensible from beginning to end. It's not a display of a complete personality, it's like listening to my friend tell a story about a girl he likes. Maybe at that age, all that was left were her willful and unreasonable little temper, which was the most superficial manifestation. What this friend won't tell me is how much he actually enjoys arguing and throwing tantrums.
So I probably don't mind the character setting of the heroine after watching the whole process. After all, the director demonstrated a youth movie with restraint and emotion here. Thinking about this is awesome. As adults, we will probably cherish our memories of our past, and do not hesitate to add our own emotions, causing self-intoxication to tears again and again. But when we wipe our tears and tell that emotion. Maybe that's what this film shows, our audience understands but doesn't make waves. The lament of the memory may be here, the unspeakable for others.
This movie somehow doesn't move me, it's bland. But from this film, I probably also have a lot of interesting thoughts.
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