. One day, my friend Mr. Fox called me and asked me to watch a movie, which is "Total Eclipse" by Xiao Li Shengshi's beauty, and stated that I should watch it immediately and express it. impression. Honestly this movie didn't touch me. I think Lao Wei is really scumbag. Talent/talent/love of another is not a reason to hurt your wife. But the soundtrack is nice.
After reading it, I excerpted some plots in a daze + carelessly. (This part can be omitted)
• Rimbaud never wrote poetry because of his talent. Perhaps the inner driving force of his poetry is freedom, breaking, breaking out of bondage.
• Verlaine converted to God after being released from prison. In the Black Forest, Rimbaud asked, body or soul. Verlaine was silent, and finally chose the body, Rimbaud pushed Verlaine down.
• -Tell me that you love me.
-Oh, For God's sake…
-Please. Please. It's important. Just say it.
-You know I'm very fond of you. … Do you love me?
-What?
-Do you love me?
-Yes.
• The only unbearable thing is that nothing is unbearable.
The only unbearable thing is that nothing is unbearable.
• Finally release pleasure in physical pain.
• Love is exclusive and exclusive. Rimbaud may have loved or cared about Verlaine in his heart.
• I haven't forgiven you yet. Why? Because you missed it.
Rimbaud has a mental cleanliness. If Verlaine really wants to kill him, don't threaten, Just do it, so Rimbaud feels more valuable. The so-called unity of knowledge and action does not allow division and regret. Verlaine's later confession and forgiveness were of no value to Rimbaud.
• Sun and sea. What is the sun that Rimbaud pursues? In the drunk boat,
"Am I a missing boat, entangled in the blue threads of the sea,
or too empty to be swept up by the wind and the birds cannot reach it?" In the
last verse, Rimbaud said that it is eternal, the sea and the sun complement each other. My first intuition is that Rimbaud is the dazzling sun, and Verlaine is the inclusive sea. But then I thought this explanation was wishful thinking. Although the two of them do indeed complement each other in the poetry world.
• Total eclipse. It was not Rimbaud's brilliance that dimmed Verlaine. The two of them eroded each other and left their mark on each other. One knows what to write and one knows how to write. Poems have a condensed and meaningful meaning that transcends the existence of language. Not a single word, not a single word. Rimbaud's pursuit is still divinity, while Verlaine is struggling in human nature, struggling, begging for forgiveness, and prostrate at the feet of God. I still don't understand why Rimbaud chose to convert and repent in the end.
• In this relationship, love, talent, charisma, and yearning for freedom are mixed with each other. It's a bit pale to use love alone to define it.
• Two people are separated, but their own achievements. Verlaine understood Rimbaud's value. But Rimbaud gave up poetry. Because he has foreseen, there is nothing more worth saying.
【Fox Jun's opinion followed】
• All creations come from the soul and reality. .
Rimbaud is not in love with Weilener, but in need. Wei Luner is in love with Rimbaud [personal point of view, everyone's definition of love is different.
Rimbaud's creation first originated from the soul, and later he learned from Wei Luner, his life background and social age personality, from which he gained poetic quality. When Wei Luner had nothing to learn, Rimbaud wanted to leave. .
The times are too old, Rimbaud has not seen anything fresh, so he has nothing to express. Genius sees the world through bridges.
If Lao Wei's wife had let Rimbaud kiss him at that time, Rimbaud's creation is estimated to have another level. After all, she is the real source of wealth and status. It's a pity that the girl doesn't understand that Mi
Lanbo of Rimbaud's poem still has some feelings for Lao Wei. After all, when he asked Lao Wei to stretch out his hand, I only knew that he was going to stab Lao Wei, but I didn't expect him to trace the palm lines with the tip of the knife. Down.
It is also good to be a supporter of genius. The best things are formed through you. In other words, you determine the appearance of those gems from the most fundamental, which is eternity.
Rimbaud is also very good, at least there is Lao Wei. . . . . Who knows how many geniuses without followers are buried in the cracks of history.
He never converted.
Finally, to believe in Christianity is nothing but exhaustion from the disease of life. . . . If we had to add meaning to this belief, it
would be downfall.
Maybe it has the same meaning as Wei Luner?
The movie itself may not have given me much feeling, but Mr. Fox's remarks gave me more impressions. She did see it more thoroughly than I did, and under a closer look, Rimbaud's feelings for Verlaine did have a taste of seven or eight points.
Her insights are deeper and more exciting than mine. I couldn't help but ask her why she didn't write a film review. She replied: On top of this, there are characters shaped by these inspirations. . . But that's my own work,
but Mr. Fox's comments are so wonderful that I couldn't bear to bury it in the chat records of the Q group, so I asked for authorization one day, and I sorted it out and published it. And start with her as the title of this film review.
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