I think freddie was stagnant at first, but his stagnation also imprisoned hes, and when he had to accept the reality and choose to accept a job in South America, does the existence of hes represent his stagnant life? What about the belt? A time in his life when he was in love and lost?
Hes asked freddie what he was going to do in South America, and when he learned that freddie was still flying, it exposed freddie's inner drama. He was stagnant in the war period, the glorious time when he was a hero, galloping in the sky, baptized by the war and survived. Without the war, he seemed to have lost the meaning of his existence, confused, fearful, swaying, and hesitant.
Finally, freddie chose to accept the fact and continue to be the only profession he is good at, pilot. His acceptance of the facts, I think, should come from the love that hes gave him. This kind of love for him, which is from a higher class, has been weighing on him all the time: the explosion when appreciating the painting has become the second The most ironic comparison ever.
Freddie has experienced war and can be said to be the representative of realism, when everything he needs in reality is not complete, he will have a huge demand. I have to say, I'm very suspicious of freddie's motives for pursuing hes in the first place; in a class he didn't reach, he chose her, not because she was her. Very realistic, very freddie.
hes, what a tragic representative of romanticism. Her marriage seems to be "right match" at a glance. Even if freddie leaves in anger, her heart is burning with anxiety, she still has to put on a skirt, tie a belt, straighten her hair, and don't put on the clips... Her life should be material. Satisfaction in the heart, emptiness in the soul? Living in an excessive reality, she desperately needs a romantic love, who? Yes, the man who responded to her smile spoke vividly about the war scenes she had never seen before, gloomily and mournfully about the post-war trauma she never knew. Everything that seems romantic, but it is also everything that gives her the ultimate ruthless reality.
The exhibition, he stabbed her romantic feelings, she stabbed his realism.
Indulged in romance, he embraces reality; trapped in reality, she kisses romance.
Class, can magic, create romance, and finally make it a reality.
Finally, towards the end of the new film, hes pulls back the curtain of her "reality", relentlessly echoing freddie's "romantic" prelude to the two of them.
War, love, new life - reality, but it is shown to you and me in a romantic way.
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