The beginning is the BGM of TV animation, which quickly shortens the distance with TV animation viewers. Compared with TV animation, the movie has a further evolution in depicting the light and shadow effects of time and the background of depicting space. Although he has been psychologically prepared for the quality of the painting, he is still impressed by Jingani's super-standard painting. Snowflakes fell on her arms and melted, and Violet helped Amy tie her hair. The small details of these actions have the expressive power of breaking the limit of 2D animation. The script was a point of concern to me before watching the movie, but after watching the movie, I felt that Teacher Yoshida's script was as always, the transition was natural, and there was no sense of separation. As a work closer to British and American literature, it was not mentioned in the film reviews at all. those issues. As a new supervisor, Haruka Fujita not only inherits the previous storytelling style of Kyoto Animation, but also has her own unique play. I think this theatrical version has more than 8.5 points of strength. The painting surpasses the previous theatrical version of the Jingbuki series "Leeds and the Blue Bird", but on the whole it is slightly inferior, because the "Leeds and the Blue Bird" supervised by Yamada Naoko, as an award-winning work by Noburo Oto, has a unique and innovative expression technique. It is a very unique work, and its delicate beauty is really hard to surpass. But this does not prevent this work from being the best 2D animation of 2019. It's really lonely to think about it, 2020 is coming without Jingani for a whole year. Fortunately, I haven't seen the theatrical version of Jingbuki's new work.
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