1. Themes are about anti-war, love, death, separation, self-redemption and self-awareness awakening
2. In the first few episodes, I actually didn't like it very much. This kind of plot is similar to Japanese drama or TV series. One episode is a small story. It is deliberately sensational, and the prepared tragic ending is bloody and bloody. , the same routine, forcibly sensationalized in exchange for sympathy and tears, the more tears in the barrage, the more I restrained the spread of my emotions, and tried my best to reject this kind of artificial sensationalism.
3. The main storyline is that violet wrote letters for various people after the war, experienced their experiences and felt their feelings, how people after the war healed the wounds of war, and stories about love and separation. The dark line is the emotional bond between violet and the major that runs through the whole play, and the process of violet finding himself.
4. After seeing it, I was slowly immersed in it. How should I put it, although the plot is not very good, there is no attractive plot with twists and turns, and the expression of the characters' feelings is not delicate enough, which is a disadvantage. But this is the real emotion, maybe it's the lack of screenwriters, but this is the real thing that can happen in real life, the real emotion. The thousands of soldiers or civilians who die in every war may have no bizarre and tortuous life experiences at all, no earth-shattering feelings, or they may be destitute and poor, or they may have a life of mediocrity, but in the face of war, love, family, and friendship are all. Inspired, this is their highlight moment. The above is the defense of Jingzi's plot, of course, the screenwriter has to take the blame.
5. Love, death, parting, the eternal theme of human beings. Especially in the context of the era of war, the motifs of human beings are all inspired.
6. In fact, it is immoral to talk about Jingani being set on fire. Family members have the right to privacy protection. However, due to the development of contemporary online information, anything may be regarded as a public event, causing public opinion to ferment. Facing Jingani, all we can do is mourn and help, and because of human nature, we need gossip and entertainment, we need to treat other people's disasters as a topic of conversation after dinner, and we desperately want to know how many people died , who died, the list of the deceased, the life experience of the suspects, and talked about it, we only care about whether the staff of Jingani we are concerned about died, we only care about whether Jingani can make excellent works in the future. Turning a blind eye to the suffering and disasters of others is also one of the drawbacks of the market economy. For example, African swine fever, we will not care about the loss and suffering of pig farmers who go bankrupt. We will only care about the price of pork. How much can I still eat pork after rising? Under the logic of the division of labor in the market economy, if I pay, you should be responsible for providing me with excellent works for appreciation. This is a legitimate business and contract, but lacks humanistic care.
7. Of course, I also admit that I also have the evil part of human nature. What I am worried about now is whether KyoAni will be able to produce excellent works in the future. Are there deep feelings and relationships among the KyoAni staff? If so, how could it be possible to maintain the original good state of mind when seeing a colleague who worked closely with him in the past innocently die for absurd reasons? There will definitely be psychological trauma.
The author has been creating works to teach others about love, death and separation, but when he has personally experienced love, death, and separation, can he still be indifferent? You have been interpreting the life and death of others, but when you face the separation of life and death, will you lose your courage?
8. This is the result of a fusion of Japan and Europe and the United States. The composer is an American living in Japan; the style and setting are all European. In the opening subtitles, you can see that Jingani cooperated with Netflix. It seems that this is also a work that entered the European and American circles. It dilutes many elements of Japanese animation and is more in line with the tastes of the general public and the European and American markets.
9. The OP is pretty good. I didn't like the female voice in the ed. Later, as the plot progressed, I felt a sense of peace and tranquility. It wasn't a crisp and melodious voice. It was the kind of male duck voice, like the voice of a traditional Japanese woman. , there is a feeling of mourning in peace, and there are waves in the plain.
10. Finally, I want to blow up the quality of Jingani's painting style, open 1080p+, don't feel too cool! The first few Japanese animations I watched were either Hayao Miyazaki, Makoto Shinkai or Mamoru Hosoda, and TV animations were KyoAni at the beginning. I thought KyoAni represented the level of Japanese animation. Later, I found that most Japanese animations The style of the painting is really far inferior or even bad or not to my taste. Jingani is really the same as Makoto Shinkai who claims that every frame is a wallpaper. I used to think I was in a house, I fell in love with Japanese anime, and then I found out, I just fell in love with KyoAni, I just like the face of KyoAni, I just like the crystal eyes of every character in KyoAni It's just, there are bright stars and thousands of universes in those eyes, just like violet in this play, those blue and clear crystal eyes are the most beautiful, the most beautiful, the one I fell in love with at first sight, and can't be myself.
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