In the future, I will give three stars to the five-star machine city. I personally feel that it is generally good, but there are many small flaws. The film is based on the Disney-type animation style of Family Fun for all ages. Against the background of the same type of domestic animation, it seems to be distracting, but in the film, you can find the weak special effects caused by financial problems. The characters in the dialogue Jokes are burdensome, too cold and too old, and it feels like watching Teacher Feng Gong's Spring Festival Gala sketch. An excellent comedy animation should create and output stalks, rather than pick up other people's popular jokes and reuse them. The plot twists and foreshadowings rely too much on the characters, and the turning points are a little blunt. You can use the foreshadowing of the heroine's father, wheat, to create a larger tear at the end, but it is more confusing when used in the transition. 7723, who was just following the heroine Mai, suddenly became smart in one day. He talked a lot and knew that it was wrong to abuse the weak to bully the weak. This is also a bit abrupt. Personally, I think it can be accumulated in the middle for about 10 seconds. The montage can be explained. For example, when the wheat belt 7723 is destroyed everywhere, it also learns something unintentionally, what is the destruction of nature by human beings, and the kindness and enthusiasm of human beings, etc., let 7723 see the kindness of human beings There are two evils, and it can be sublimated in the end by laying down the foreshadowing. Of course, this is my amateur idea. Like the full-age animation of the future machine city, few domestically produced movies have been put on the screen. The very early Big Fish and Begonia and the White Snake a few months ago still have a certain subjective age limit for watching movies. From my personal subjective point of view, the return of the great sage is a milestone that marks the beginning of the industrialization of animation for all ages. This type of domestic animation has gradually been supported by the audience, and this future machine city reflects the trend of this type of domestic animation. Mature, recognized by the market and audience. In a sense, Future Machine City feels like the "Wandering Earth" of the animation industry? After all, it is the epitome of the industrialization of domestic films, and they all look good on the whole, but there are still many embarrassing points. There is also a very interesting detail. The dragon logo is from 2018, indicating that it was approved last year and approved for release, but why is it delayed until the summer vacation? It is worth pondering. Could this be the only movie in 19 years that uses the old dragon logo?
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