Joy Luck Club

Alanis 2022-04-22 07:01:48

I extensively read the movies that the teacher showed in class, and I watched it myself after class this weekend. It's worth watching as a pastime, but my roommates and I both agreed that some of the logic was not in line with the reality of China at the time, and it always felt like there was a "China from a Western perspective". After a check, the director is a Hong Konger, studying in the United States, and the original author is a Chinese-American, sure enough.

The part where Lindo escaped from her husband's family was really outrageous. How could she escape from her husband's family by making up a few words. "She got her marriage, I got a ticket to ShangHai." It's just nonsense.

Another aunt's mother became someone else's fourth aunt. But in that kind of servile environment, how could she possibly bring her ex-husband's daughter to a new family to raise? Moreover, the fourth concubine also exchanged her death for the glory of her children, which is too unrealistic. In reality in China at that time, the death of a humble fourth concubine would not have such a big funeral pomp, and the rest of the family would not be afraid or saddened by it. The real reality should be that the mother is dead, and the children are more difficult to live in that kind of family environment.

The other episodes are interesting, but not very logical. I never thought that the original movie could piece together everyone's story so simply and rudely. The actress at the end looked a lot like my aunt, and I played a lot.

But you can still learn something from it. Women are fighting for freedom and independence, which should be what the film wants to convey most. The swan feather means free and respect and love. I'll get one someday :)

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Extended Reading
  • Toby 2022-03-25 09:01:19

    Some scenes in the film really belong to the East in Western imagery, with alienated colors. Such as superstitious souls, rituals such as life and death. But this is all in the original book, the matchmaker with white powder and little red lips is the subjectivity of the movie. But the fate and delicate emotions of women are basically in place. The narrative and structure are outstanding.

  • Casey 2022-03-23 09:03:04

    The expression of the film is more of a drama, but the content is good, and the director is not a woman. But it can tell the life of a Chinese woman and the relationship between her daughter and her mother so well. Four lines and four generations of women almost contain all kinds of hardships that women have encountered in their lives.

The Joy Luck Club quotes

  • June's Father: She thought: better not die next to my babies. Nobody saves babies with such bad luck. Who wants two babies with ghost mother following them? Very bad luck, very.

  • Jing-Mei 'June' Woo: [opening naration] The old woman remembered a swan she had bought many years ago in Shanghai for a foolish sum. "This bird", boasted the market vendor, "was once a duck that stretched its neck in hopes of becoming a goose. And now look, it is too beautiful to eat!" Then the woman and the swan sailed across an ocean many thousands of lei wide, stretching their necks toward America. On her journey, she cooed to the swan, "In America, I will have a daughter just like me. But over there, nobody will say her worth is measured by the loudness of her husbands belch. Over there, nobody will look down on her because I will make her speak only perfect American English. And over there, she will always be too full to swallow any sorrow. She will know my meaning because I will give her this swan, a creature that became more than what was hoped for." But when she arrived in the new country the immigration officials pulled the swan away from her, leaving the woman fluttering her arms and with only one swan feather for a memory. For a long time now, the women had wanted to give her daughter the single swan feather and tell her; "This feather may look worthless, but it comes from afar and carries with it all my good intentions."