Twenty more words.

Eleanora 2022-04-20 09:02:19

There is a lot of misery, and then because this is a miserable people, but there is still hope. The structure of the script is very complete, and there may be a lot of details. In short, everything serves that theme, but from the results of the shooting, there are too many things to say that cannot be controlled, so I only pick the important ones. , the content picked out is really too many elements, too much force, it seems that the story is monotonous and full of hard turns, every minute and every second is telling a story, but they are all telling a truth that is hard to instill in people. The story that came out has no sense of unfolds at all, it can be said that it is not at all, but metaphysically speaking, the opening banquet, the last hope and the symbols of many small generalizations are still good, but only in the metaphysical level. This film can get 13 million US dollars of investment. It is probably due to the work of the script. The performance of the actors makes people feel a bit like a Taiwanese film before the new wave, but I have never seen it, so I need to know more about it. Too neat and pedagogical, the characters are completely Facebook, like an old drama translated into the vernacular, and the content of the treatment is actually unflattering because it is not grounded, why is it not grounded? For example, how did so many people build such a prosperous life after they came to the United States? There is almost no description of the substantive content of life, but the subject that you want to discuss is constantly discussed on the virtual level, and everything is too hard.

This kind of painful review and exaggeration is actually meaningless, especially when there is nothing to say. China is not a suffering nation. Although it is still dragged to this stage, there will be comedy in this country one day.

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Extended Reading
  • Maxine 2022-03-28 09:01:11

    This is a group portrait of women, reflecting the changes of Chinese society and national character from the fate of four pairs of mother and daughter. But I have to say that although director Wang Ying is of Chinese descent, the things he shoots are completely for Westerners. Much of what is known about China's old society is limited to superficial and general knowledge, which of course may be attributed to Amy Tan, the original author of the novel. Wang Ying's control over the subject matter of this type of Chinese and foreign cultural conflict is obviously not as good as that of Ang Lee. As far as this film is concerned, it is too sensational. The performances of the older generation of actors are also significantly better than those of the younger generation of women, and the narration of the four stories is blunt. Of course Westerners might like to watch it because they don't know anything about China.

  • Myrna 2022-04-24 07:01:22

    As an immigrant film, The Joy Luck Club omits the difficulties encountered by Chinese Americans. More focus is placed on the fetters of two generations of women, and each pair of mother and daughter is used as a parallel relationship to let the story tell the story. This multi-line narrative is handled a bit monotonously by the director, and the techniques are similar. The characters in the film are plump, the mother came from a decayed and outdated society, and the daughter grew up under the influence of her mother. The two complement each other, conflict and reconciliation. Although this is a female-themed film, in a patriarchal society, men feel everywhere, even if they don't appear on camera much. PS: Some of the lines sound a little lumpy, and if the actor who plays the Chinese character speaks more fluent Mandarin, it may be more involved. (3/5)

The Joy Luck Club quotes

  • Rose: I didn't say it to impress you.

    Ted: That's why it did.

  • Old Chong: How many sharps? How many flats? What key are we in?

    Jing-Mei 'June' Woo: Z major.

    Old Chong: What?

    Jing-Mei 'June' Woo: Z major!

    Old Chong: Good.