Tess

Suzanne 2022-03-27 09:01:18

"Cold Blood" is the continuous extension of the body into space, then "Tess" is a sense of space that is regarded as a body, just after the traumatic "rape" of Tess and Alec (the At the "critical moment", the Victorian, moral fog coincides with the actual arrival, Polanski not only re-enacts the implicit creation under the control of the moral imperative, the disappearance of this scene also proves that it will continue to appear), Polanski uses a similar, space-dominant, erotic and terrifying scene: Tess locks herself in the room, while Alec is outside begging for entry. The film also corresponds to Tess's own constant self-isolation - the trauma of modernism. The problem with Polanski's version of Tess is as obvious as its advantage, in that he is so engrossed in the depiction of emotion that the plot becomes a hasty performance.

Annalise 2022-03-25 09:01:19

Golden Strawberry: "The sigh rises like the morning fog." This sentence in "The Tale of Genji" seems to be made for Tess: Natasha Kinski wakes up in the whispers of the police, surrounded by paintings The mist of the tone, it turned out that the scenery inside and outside the room could not be seen, and only half of my life could be seen. The red dress on her body is a bit more bleak and scarlet than Paris, Texas. She interprets two sad stories under the lens of Polanski and Wenders. The fleeting happiness is as short as sunshine and youth. He picked her up and walked through the muddy road, and he could hear the throbbing heartbeat through the screen. After the most beautiful time, it was a long period of suffering and suffering. Courage is always swallowed up by reality, neither critic nor sensational, just quietly narrate a past event so that they will not be overwhelmed. This is probably the least Polanski movie.