Insincere. Just makes me feel so. Takeshi Kitano wants to express something very pessimistic, but he lacks the skill in the story, and the emotional depth of the characters is not sincere and real. And Takeshi Kitano always tried to perfunctory with death and powerless memories, trying to cover up these roughness.
There is a desire and inclination to self-destruct, nowhere more so than in the story of Matsumoto and Kazuko. As an audience, I sometimes feel that the character's behavior is irrational, "I can't do this. Why does it have to be like this?" I can feel that Kitano is obviously trying to express a very pessimistic and self-destructive thought. However, it didn't make me feel the deepest despair of the characters, and allowed these "irrational" behaviors with insufficient persuasiveness and emotional depth to exude the despair and destined irrationality that they should have. This is actually the same as reality. People who are in pain and despair, their pain and behavior are incomprehensible and incomprehensible to most others, and they may even feel that this person is crazy, vulnerable, and can't stand setbacks. And these people just don't understand this person, and often can't understand it, but this does not mean that this person is really not suffering, or that this despair has no weight, it's just that others don't have the same experience, the same ideas and personal life. Of course, others cannot understand the pain of this person. Movies are used to narrate and express emotions, the most personal experiences and feelings, those things that others can't experience in reality. The power of movies is that they can express and vent these things, and through this, they can escape from reality. But Takeshi Kitano failed to make me feel it.
Sometimes, I always want to complain about something, but I feel as if it is "too serious", that is, "Takeshi Kitano chose to write this way, to express this way, although I feel powerless in some places, but no one said What a great movie, you can choose not to watch it, you will lose if you are serious"
Alright, here it goes: the mob boss's ex-lover strikes me as a kind of male-female affection. Although movies and literature are used to escape reality (I want to think so), this kind of obscenity for women's "unswerving" sensibility will only appear powerless, but some people think that this is love. Especially when the expression of that feeling is not based on a story. and! You waited for an old lover for decades but gave the uneaten bento to the dead house next door? Just to connect the two stories in a crude way? Suddenly a man comes and sits next to you every week for no reason and you think "it's not important anymore because you've been coming here a lot lately"? ? ?
some problems:
1:01:18
What does this fish mean?
So in the end, when Sawako took out the angel necklace, was she conscious?
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