Step by step to the drool drama

Newell 2022-10-29 15:09:31

It has been a year since the last theatrical version: Preface. It is strange to say that the theatrical version of the other family is either an extension of the main plot or an extension of the branch plot, or even just to explain the undeveloped plots in the drama. The EVA theatrical version only has retelling, retelling, reconstruction + retelling. With great difficulty, a new character has been added to this play - the glasses girl who "doesn't like to have her breasts squeezed". The interaction with the three protagonists in this play can basically be ignored. Although it can be expected that in the theatrical version of the next episode, the demeanor of the spectacled girl is quite attractive, but as the opening scene of this episode, there is nothing other than being teased by Shinji and talking a lot. As a movie, this character adds quite stiff.

Condition 1 is fulfilled in the slobber drama:

The most typical preaching is the chatterbox in Naruto. Don't underestimate the talker, although the strength is not good, but the ear-blocking method of alienating, instigating, reversing the disadvantage, and stimulating the potential of the human body are all good at it. I'm afraid that there will be public resentment if the enemy is defeated by the spiral pill, otherwise everyone will be happy if the enemy is directly killed.

In Broken, the new character Glasses Girl has this effect. Especially in the final battle.



Condition 2 for the drool drama:

The most obvious character masking is the old version of "Romance of the Three Kingdoms". Cao Cao has been white-faced and bearded since Yuan Shao's alliance. The screenwriter's understanding is that Cao Cao should be domineering in everything he does, so he is domineering when he eats, when he drinks, and when he sleeps.

A really good drama does not do things because of character, but shows its character by doing things. The original EVA must be like this. Because of what Shinji has done, what he thinks and what he thinks, let the audience compare their hearts to each other, and then they feel that there is Shinji in their hearts, and Shinji has himself in his performance.

On the other hand, the broken Asuka just explained that the way she was recognized was to complete it independently, and then she masked her independent character to the end, and finally changed her character according to the needs of the audience, but the masking did not decrease because of this.



Saliva drama achieves condition three: meet the needs of the audience YY

The audience is happy to see a gentle Limbo, the screenwriter is satisfied; happy to see a harmonious trio, the screenwriter is satisfied; happy to see Asuka not dying alone, the screenwriter is satisfied; happy to see Lingbo and Asuka naked, the screenwriter is also satisfied . Otaku men and rotten women, you can wash and sleep.



In the future world, the world was half destroyed by the third shock, the oceans were polluted blood red, and all the cities were razed to the ground. It is not only the earth that has been hit hard, but also people's hearts. Live quietly, work quietly, every day is like the past, no longer have any extravagant demands, just live. This short-lived quiet life in the gap between the Familiar's counterattack is represented by a long static head (yes, it is a still, long-term static shot) and a stingy sound effect. Everyone who has watched it feels that they are in it, and the success of EVA is also build on this. Quiet due to destruction, but there is a thriving longing, that heavy and oppressive feeling is rare in other dramas. Speaking of Chang Jing, I don’t know if the director did it intentionally, or because the funds for the main drama are not enough. Whether it is the shooting technique or the sound effects, they are extremely frugal, and even the logo between the scenes is completely muted, but the effect shown is unique. .

Although "Broken" is 1 hour and 52 minutes long, due to the excessive content, many emotions are still not clearly expressed, but only swirls of water, resulting in heavy and sadness. Changjing's head is gone, even the most classic Lingbo and Asuka's silence in the elevator, the moment in the main drama is extraordinarily aura, but in this drama there are only five seconds! This kind of filming method that does not respect the original drama I am very dissatisfied with the director. The sound is top-notch, but by no means great.

In the original play, there is a plot where the human form of the male protagonist Shinji disappeared. After an episode of introspection, he finally woke up in the hospital. How to disappear from the human form and recover again, my guess is that it was cloned. The answer is given in this play, it turns out that it is too deep to be pulled out. If it is said that EVA is a work that is closer to the real world in the animation of robot fighting, then the final ending of the play completely denies this real existence. The angel appeared in the world, and I remembered Guo Degang's famous passage: Are you an angel? How do you call it? Angel: You can call me Xiaosan.



The show also has a place to be commended:

As a movie, I feel very disappointed, but the paving work for the next theatrical version of "Ji" is not bad, "Ji" - worth looking forward to. It is said that this drama is a paradise controlled by Lingbo, and a region controlled by Asuka, but this is not the case in my opinion. Asuka is spiritually polluted, the next episode has a lot to do, and of course, the glasses girl. It's just that Ling Bo Ling has no way of acting, and there is only one way of love.



PS: After watching so many Japanese animations, I have come to a conclusion: Japan lives for the recognition of others, just like the Chinese live for face, um.

View more about Evangelion: 2.0 You Can (Not) Advance reviews

Extended Reading

Evangelion: 2.0 You Can (Not) Advance quotes

  • Ryoji Kaji: [Shows up behind Ritsuko] You lost a little weight, huh, Ritsu?

    Ritsuko Akagi: Nice try, but I gained more than I'd like to admit.

    Ryoji Kaji: Maybe you're just wearing too many clothes.

    Ritsuko Akagi: I'd show you, but this room's being monitored.

    Ryoji Kaji: Was monitored. I replaced the main feed with a loop.

    Ritsuko Akagi: Thoroughly prepared as always, huh?

    Ryoji Kaji: Hey, when I play, I play to win.

    Ritsuko Akagi: But you've lost.

    [an angry Misato watches from the window]

    Ritsuko Akagi: You should've covered the windows too.

  • Unit-01 Dummy Plug System: [during start-up, in reverse] Freedom is an illusion. All you will lose is the emotion of pride. To be dominated by me is not as bad for human pride as to be dominated by others of your species.