When he saw these words, Shinji was rushing towards Rei Ayanami in the core of the apostles. And I burst into tears in the deep dark night.
This should be the one with the most emotional scenes in the EVA series. The sugary hair is not the kind of unpleasant sweetness, but a light one. No matter from which angle you taste it, it is full of aftertaste.
Compared with the EVA drama version and "Death and Rebirth", "Preface" and many other films, "Broken" reduces mechanical analysis, special terminology, and highlights the status of each character as a social person in the whole play, and the method is Details and psychological characterization. Rei Ayanari and Asuka are fighting for Shinji's wounded hand, Rei Ayanami's inadvertent tenderness and motherhood, the words Kaji finally said (to Shinji take care of Misato), Asuka's slightly open heart, and of course Shinji's desperate After rescuing Ayanami, they hugged tightly. . . . .
EVA is a polyhedron. This time, "Broken" shows us a world that is gentle in the growth and emotional maturity of everyone, and is no longer dominated by a few big machines. This kind of feeling is like Shinji's mother Yui in the TV series. She is always light, even love, but she can't get rid of this gentle and secret shadow. The age of machines is over, and the age of humanity is manifested.
Ayanari is always the character who sheds the most tears. Because of the fetters she didn't know, she firmly believed in herself and EVA, and the fate-like connection with everyone. In the drama version, she only knew how to obey everything. She was once called "Doll" by Asuka. However, when the "doll" has feelings and makes efforts to love others, her image is painted with a gentle and lovely light. Come out of the icy taciturn shell and unleash the beauty of a real person. Once she has her own feelings, she becomes herself, caring for other people's every move, and expressing her heart for the emotions that she can't hide. Just like Shinji's answer to Ayanami's sentence "Actually, if I die, there will be a substitute" - "Ayanami is the only one you are." Thankfully, her feelings were echoed by Shinji. What Shinji pulled out was the flesh and blood Ayanami.
Also growing up is Asuka. Shinji's heartbeat accelerated when she was suddenly lying beside him, also driving an EVA. The purpose of the two was very similar. On the surface, they scolded Shinji as an idiot, while preparing food for him. Strong on the outside, tender on the inside. In the conversation with Miri, the desire to integrate into the crowd and the will to survive, a kind and simple girl, likes Shinji as much as Rei, but the way of the two is different - one is slowly shining in subtleties, the other is standing under the sun Cursing, turning around, there is the tenderness of a lake.
As for Shinji, he was sensitive and delicate and chose to get back on the driver's seat at a time of crisis. It was the first time he fought against his father for Asuka, and the first time he was desperate for Rei. As a man, the heart gradually grows.
We can clearly perceive the difference between this part and other parts. As the blessing said, only those who have experienced it can know the pain and treat others more tenderly. EVA has grown up in the new century, and the transcendent works are no longer full of mechanical principles, philosophical and religious meanings like the public interpretation, and have truly grown into "Evangelion of the new century". Instead of choosing a warm and simple story, it is thick and thin. After principles and processes, secrets and conspiracies, cold and heat are all intertwined, smashed, and fused together, and after hardships and tribulations accumulate, choose For love and society, people and feelings, growth and breaking such a gentle Yamaguchi, sprayed and manifested.
All the people have gone through the vicissitudes of life, waited tenderly, and bloomed silently. All work is the work of man. Similarly, I believe that people who have not watched the drama version must not understand "Broken". This is a complete and continuous process, with continuous plots, emotional clues that are constantly being cut and cluttered, and fetters that the protagonist himself does not know. . .
Without talking about innovation and technology, "Broken" is the best commentary on the work itself, and there is no other interpretation - the theme is growth and love - mother's love, father's love, love between the sexes, love of bondage, love of people. In the care of love, the ocean of LCL becomes the original appearance, the new city and people become themselves, and the day dawns, and people grow up together hand in hand.
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