Maybe it's because I have too little accumulation of horror and suspense, plus I am timid, and I was frightened to watch for an hour and a half. Many people in the comments said it was not scary at all, and I really admire it. At the beginning of the movie, a mentally ill person who explained his persecution was pale, neurotic, and hysterical, which fits the definition of a madman by all doctors. The opposite is a capable and calm doctor. The two are about the same age, and judging from the situation after Carloy's recovery at the end of the film, both are very beautiful. However, a table separates two worlds: reality and fantasy. Of course, after reading it, I understand that this is actually the separation between the victim and the indifferent outside world. Perhaps only by being on the scene can you feel the same. But if we are not immersive, maybe we should put down our posture and not speculate and comment casually. On the other hand, what I think is really sad is not that the heroine is entangled by the wrong soul but no one believes it, nor is it that Kaloi is tortured by a pervert but treated as a lunatic, but that those who are destroyed in silence but cannot redress for themselves. The innocent. In the movie, Rachel can make the truth come to light with the body of a ghost, but in reality? After the yellowed missing person notice, is it another thrilling story?
The film ended in the dark, not relieved, but in the dim and strange. ps went to watch it at Downey. After all, this was the film he met with Susan, but Nini's role setting really didn't have much room to play. Except for a few uninhibited and random actions and two complaints, he at this time has no yuppie aura afterwards. Can I only say that Susan has a wise eye and a bead? I can see that this man with increased height inside wears a 2.8-meter aura hidden in him.
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