For the numb me, this kind of cool film is becoming less and less.
Whether it is the plot trend or the presentation of "confidential documents", we can see a little bit of Call of Duty's shadow. Avoiding too much gamification relies on exposing Guy Ritchie's fascination with film and the feeling of deliberately playing a spaghetti western in Italy (where the logic becomes a matryoshka metaphysics). Such as a sudden zoom in to give a close-up of a moving character. The exaggerated picture seems to have an exclamation mark... These are not seen in Guy Ritchie's previous works. But the split screen of the landing battle is very Guy Ritchie's "multi-core CPU work, but it's more exciting than any previous " Guy's Split".
In addition to a few pasta de javu, other elements of Italy are also available: racing, opera, food, clothing, architecture... It can be described as a large asmr video.
Two knockoff 007s with their own obvious flaws are much more interesting than a genuine perfect 007. The coexistence of grace and clumsiness is a role model for men; and excessive deification, who always pretends to never fail, is as easy to get tired of inflatable dolls as only giving and not taking. So Superman really gives Henry Cavill a minus point, and a flat character naturally makes the actor look flat. This is the name of his charm.
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