As far as Guy Ritchie is concerned, it must be a mediocre work. There is nothing wrong with Dachao and Hammer, and they are quite satisfactory. Or in other words, this film is very mediocre except for the usual ridicule of Guy Ritchie.
What deserves praise is a lot of little tricks, and it is still very gratifying to be careful. For example, the heroine is talking to her uncle in the car, the window is not rolled down, and the outside audience can't hear anything. This kind of smuggler has ruthlessly ridiculed the bugs since the sound film. If the people inside the car are talking outside the car, in fact, the real scene is that you can't hear anything, but the dubbing solves this problem, and it takes a long time. The audience develops After getting used to it, it naturally feels normal and reasonable. But in fact, a man-made illusion was regarded as the real image.
Although Guy Ritchie would definitely be under-talented if he used Quentin from the same period as a reference, it would be unfair to say that he didn't have it at all. This kind of careful thinking is also a talent, it should only be magnified to the extreme, and there should be no compromise.
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