Spiderman is a personality, not a person

Elissa 2021-10-18 19:54:35

Almost pitted by this young official poster. Seeing so many positive reviews, it would be nice to think about watching an animated version of Spider-Man. Looking at this poster, I was already ready to watch a 2D animation similar to the comic version, but I didn’t expect to make such a great 3D movie.

In fact, if you say who is the biggest IP in Marvel, Spider-Man bears the brunt of it.

First of all, the Spider-Man movie is considered to be the first to enter the Chinese people's field of vision. Starting in 2002 (previously released in the United States did not count), three consecutive shots made people know this civilian hero walking through skyscrapers, and at the same time started the comic. The gateway to the world of prestige.

So far, there have been "Spider-Man" 123, "The Amazing Spider-Man" 12, and the "Spider-Man" hero series six blockbusters, plus the guest appearances in various Marvel movies, and the "Spider-Man" hero series His film list has been ranked third, and it will be released in 2021. It can be seen how popular this image is and how confident Hollywood is in him.

In addition, among the Marvel heroes, there is only Comrade Spiderman, who has changed three actors to play, and has easily caught up with the influential Comrade Batman who debuted in movies in the 1980s. And Spider-Man uses the new generation of small fresh meat, with unlimited potential for future development.

The reason why the role of Spider-Man is so popular is mainly because his civilian status is the most down-to-earth. The old saying goes well, money depends on throwing coins, and no money depends on mutation. Iron Man and Batman are rich men, no matter how much money they burn, but they are beyond expectation. Spider-Man is different. There is a dick. If you don't let the spider bite, let alone the movie protagonist, you can't be the protagonist in life. This contrast is well projected into the hearts of ordinary audiences.

What's more interesting is that Spider-Man's character set is through the iteration of the movie series and the transformation of the starring. The characters' personalities are becoming more and more amusing, more lively, and more and more inexperienced. Also, even a straight steel man like Iron Man has to sell a cute, sell a rot, it is a waste of Spider-Man's natural and cute temperament not to be good.

Therefore, especially in the Marvel movie, many heroes appear on the scene, and Spider-Man is just like a kid, and he is extremely cute among many big brothers. Although immature and limited in ability, at the critical moment, he was able to forget his life without hesitation, and deeply captured the hearts of the audience.

Based on this positioning, the audience may not miss the many heroes who are super combative and play cool, but they will still miss the red figure that shuttles between the buildings for many days. In the gap period of the Spider-Man live-action movie, the Spider-Man animated movie will be produced so well, which shows that Spider-Man is so attractive and appealing.

Speaking of this movie, the most important thing is that there are old stalks in this animated movie, but there is absolutely no fried rice, at most it can be regarded as a brand new one with the recipe. This new fried rice really completely revolutionized the life of the old one.

First, do you believe that there is another Spider-Man — from the perspective of character creation

The best part of this movie is that it is subverted when it comes up. The first shot is almost the most important shot in the movie. It came up to a young boy, a black man, who was about to transfer to a key high school. Then it didn't take long before he was bitten by an obviously problematic spider! What do you mean? Is he Spiderman? ? ? No, there is a Spider-Man in this world, and the boy's police father doesn't like him very much. Then, the boy really saw him and witnessed the death of Spider-Man. Well, in a Spider-Man movie, a suspected Spider-Man is created in the first part, and then the real Spider-Man is killed. Is there such a play?

Moreover, there is a little bit of it. Like the history of the revolutionaries of Comrade Spider-Man, the little boy also got a lot of trust, the shutdown USB flash drive. This completes the alternation of old and new Spider-Man, but it is still only at the level of motivation. The so-called "the greater the ability, the greater the responsibility" goes.

After that, the Spider-Man-like ability caused a lot of trouble for the boy in life. At this stage, he was very distressed by such abilities, or strange phenomena. To put it another way, he is very disagree with the identity of the possibility of becoming Spider-Man. In this way, the biggest contradiction in character creation is formed, that is, the biggest conflict and development motivation. The subsequent large-scale exhibitions are multi-dimensional display of this contradiction until it is unified.

After watching the movie, I think about this in turn, and think that the screenwriter is really a brilliant idea. It should be said that this kind of characterization can really make this character very rich and specific, flesh and blood, you can empathize, and understand his emotions. He is first a living and concrete person, and then the superhero who is burdened with abilities and responsibilities.

You think, an adolescent boy is itself a contradiction; in addition, he has just transferred, from an ordinary school in Brooklyn to an elite school in a bustling area, enough to make a youth film subject; then, black identity, after all, The United States, especially the elite, is a minority; in the end, he loves graffiti the most, and his father is the policeman in charge of public order. These four contradictions are in this boy. We can fully understand his feelings and distress. This is very specific and vivid.

Then he was bitten by a spider. Note that it was not a scientific madman, or a lonely freak, or a millionaire, or a terminally ill patient, but an ordinary, distraught high school boy who seemed to know everyone.

So, watching this boy grow up with empathy is just watching the growth of a quasi-Spiderman. Unconsciously, we were taken into this story-"The Birth of Another Spider-Man".

Therefore, this seemingly ridiculous character background, under the wonderful pen of the screenwriter, weaves a black boy Spider-Man, and I am sorry, in the end, there is only this one. Fortunately, we, like New Yorkers, have accepted his existence very much.

The Spider-Man who played in the four parallel worlds decided to leave the boy in the dormitory. When they went to make self-sacrifice, the boy who was sealed in the chair finally awakened his own Spider-Man, and this new generation of Spider-Man was finally born. I looked at my watch consciously in the theater for an hour and a half.

What a great film, in order to portray this most important character, more than three-quarters of the space was used. It is also because of such a delicate layout that the childish Spider-Man really takes up this important task, instead of just performing this task and acting handsome in the crowd. Regardless of whether there is a sequel or not, we all know that in that world, as this little guy's physical development and abilities become more mature, a qualified Spider-Man will surely shuttle among the buildings in Manhattan to punish and punish evil for the benefit of the party.

Second, do you believe that this is a 3D movie? From the perspective of the visual effects of the movie

Speaking of movie posters and some propaganda posters, they are really flat, very similar to American comics. This is normal, the heroes of Marvel are the first to exist in the comic book. I thought it was a flat animation, until the staff handed me glasses when the ticket was checked.

Well, the visual effects are great, the picture is very textured, full of rich details, and at the same time very comical, this design is very, very good.

First of all, if you are watching a video and you can pause it, I can guarantee that when you pause, especially when you look at the close-up of the characters inside, you will see a comic-style face—heavy outlines, especially It is the nose and brows, which are all emphasized.

Secondly, many non-3D animation elements are added to the film, such as the text board that appears on the side of the character's head from time to time, such as the effect line that appears when one person touches another person, such as the recurring comic booklet display, which is very interesting.

Once again, there are three other Spider-Mans crossing from a parallel world. It's just like a brainstorming, making people laugh. Obviously it is not a one-dimensional thing, it is really a violation of the style of painting to stay together. The best part of this movie is this part of the design. You know, in 1988, there was a movie called "Who Framed Roger Rabbit", which should be the first time that animated characters were used in a live-action movie. This animated character is not the current CG animation, it is more like a real person than a real person. It is a flat cartoon character, which is completely against the peace, but such a brainstorming completely conquered the audience. Then there was "Slam Dunk in the Air" starring Michael Jordan in 1996, which can be regarded as a real person participating in an animated film.

What makes this film awesome is that it uses flat cartoon images in the 3D movie. On the one hand, the dislocation of the painting style makes people feel novel. On the other hand, it is very important, and it surpasses the previous two movies. That's it. The Sao operation actually has a revealing meaning.

The first layer was originally that this is a cartoon, but we are acting in the real world. I can read comics in the real world, and there are real-world people in the comics, that’s okay. Then a lot of comic characters from other time and space traveled over, not through the comic world, but through the real world, which means that the real world you built is actually the comic world.

There is a kind of drama, the meaning of jumping out of the distance, and it is revealed through the violation of the style of painting. It makes me feel that this edition is really subversive. The creators are really self-confident because of their love. It does not consider whether the audience can accept it or whether the box office will be damaged. We thought of this idea and completed it well. This is what a manga fan and anime fan want to do. This is so cool, just stand up applause for this.

These are the intentions of animators who do 3D animation and then reverse 3D. It is really interesting and confident design. On the one hand, this makes ordinary audiences very novel and feel the good style of painting. On the other hand, it must have won the favor of comic fans, killing two birds with one stone.

Compared with the original 3D effect, the film is hard to be 3D, I don't know where the height is.

Third, do you believe that watching this movie seems to have watched several movies-in terms of the content and structure of the movie

The creator knows that we don’t say what Spider-Man is, and the audience knows it, and they know a lot. But let's say it again, so that we can tell the following story. So we saw the comics that flipped quickly at the beginning and the comic-style flashbacks of the previous shots. In this process, the creator deliberately picked up iconic shots from several classic films, such as the Spider-Man Upside Down Kissing Scene, Black and Red Spider-Man, etc. A few seconds of flashback makes us seem like I watched several previous works.

And when the comic flashback happened several times later, this approach was too interesting.

First of all, this is the technique of segmentation. Through this reciprocation, I talked about the other two main characters-the middle-aged crisis Spider-Man and the female Spider-Man, and the title of the movie "Parallel Universe" also began to echo repeatedly. Although the three are in a crowd, it's still not in the universe. So the black-and-white windbreaker Spiderman in the 1920s and 1930s, the next generation Kawaii Lori + the robot Spiderman, and the gluttonous piglet Spiderman have appeared one after another, the real universe overturned.

This includes not only the traversal of parallel space, but also the traversal of time. And in each time and space, there is a different Spider-Man story. Through the presentation of different characters, we seem to have watched each of them in their own world. Not only the Spider-Man, but also the science mad Doctor Octopus, the villain immersed in the pain of losing his wife and child, and so on. I guess the creators must have written the biographies of each Space-Time Spider-Man very seriously, and even shot a small film of each character. We can verify it on the Blu-ray disc in the future.

So although the structure of this movie is not complicated, it only took a few flashbacks, but it brought a very large amount of information. This is great, because we have watched too many fast-paced movies, and the creators deliberately bring the rhythm fast, for fear that you will find many flaws after a short stay. This movie has a fast pace, because the creator must introduce you to every important person clearly. There are a lot of words to tell you. After flashbacks make you understand, well, let's fight.

In short, this is a great film. Although La La Za Za has said so much, I think if I write against the film, there must be too many beautiful details that have not been discussed. In addition, the old saying goes well, excellence comes from the foil of peers. You can first look at the big brother in the water that has been very hot recently, and then look at this little brother.

View more about Spider-Man: Into the Spider-Verse reviews

Extended Reading

Spider-Man: Into the Spider-Verse quotes

  • Mary Jane: [mistaking Peter for a waiter] Hello.

    Peter B. Parker: Oh, wow.

    Mary Jane: Um, I just wondered if we could have some more bread at table twelve.

    Peter B. Parker: Yeah! I'm just, I'm really sorry...

    Mary Jane: Oh, don't be sorry. It's just bread.

    Peter B. Parker: No, I wasn't there for you when you needed me.

    Mary Jane: Mmm-hmm...

    Peter B. Parker: And I didn't even try.

    Mary Jane: That's fine. I should really get going...

    Peter B. Parker: I know I could do better if I just had another chance to give you... the bread that you deserve.

    Mary Jane: Are you okay?

    Gwen Stacy: Ma'am, we'll take care of that bread right now.

    Mary Jane: It's been nice, uh, talking to you.

    Peter B. Parker: For you they should fill this place up with fresh bread.

    Gwen Stacy: [to Peter] You all right, man?

    Peter B. Parker: Yeah, totally.

    Gwen Stacy: Okay, good, 'cause we are not getting any bread.

  • [first lines]

    Peter Parker: [narrating] All right, let's do this one last time. My name is Peter Parker. I was bitten by a radioactive spider, and for ten years I've been the one and only Spider-Man. I'm pretty sure you know the rest. I saved a bunch of people, fell in love, saved the city, and then I saved the city again... and again and again and again. And I, uh... I did this.

    [shot of Spidey doing the emo dance from "Spider-Man 3"]

    Peter Parker: We don't really talk about this. Look, I'm a comic book, I'm a cereal, did a Christmas album. I have an excellent theme song. And a so-so popsicle. I mean, I've looked worse. But after everything, I still love being Spider-Man. I mean, who wouldn't? So no matter how many hits I take, I always find a way to come back. Because the only thing standing between this city and oblivion is me. There's only one Spider-Man. And you're looking at him.