From impatience to irrepressible excitement

Miles 2022-04-22 07:01:48

Travel abroad. After a busy day at 5 o'clock, I decided to watch the latest Russian blockbuster "Stalingrad" at night. I was a little surprised when I entered the theater at 7:15 pm. I was actually the first. There is no second person except me. Take pictures and report your whereabouts to the wife at the same time (hehe). Before the theater lights dimmed, there were only a dozen or so people. The huge screening hall seems to be for the few of us. Coupled with the lack of heating in the hall, it was obviously a bit cold. Had to put the jacket back on. Before the show, I complained to my wife on WeChat. The show is on. As said on the Internet, it begins with the rescue of the trapped people in the 2011 Japan earthquake. The story of the doctor's five fathers is drawn from the story of a Russian doctor telling a story to five trapped little girls. It seems cliché. isn't it? The first few scenes of the Russians and Germans going about their business were nothing compared to the American blockbusters. In terms of scene scheduling, actor performances, and special effects, they are all so-so. In particular, what I feel is lacking is that the people who cut the film always suddenly switch to another picture when they are about to be shocked by the scene and want to have a good time. "A little taste of the main theme", "The shooting technique is almost", "The performance of the action scenes is almost", "The storytelling of Lao Maozi is still not very good", "The film is too unattractive compared with "Bing on the City"", I am constantly in my spare time. Wechat to report to his wife. Almost an hour later, I almost wanted to leave. Fortunately did not leave. Just occasionally think "five dads.....five guys and a 19 year old girl....who is with whom?". I spent the first hour thinking like that.

However, after an hour, I never sent WeChat again. People are slowly immersed in the movie. There are far fewer fight scenes. The human scene accounts for most of it. On the side of Lao Maozi and on the side of the Germans, the shots are narrating what happened when the two sides were not fighting. Lao Maozi celebrates Katya (a 19-year-old girl) her birthday. Cakes, wine, candles, lyrical tenor singing, and even a tub full of hot water were prepared. After being immersed in the war environment of the film for more than an hour, I can understand how warm the pot of hot water in the ruins is. Although the Germans always had a faint atmosphere of depression, the change from coercion to interdependence between the German captain and the Russian girl gradually added a little light to the dull war atmosphere. Reluctant to comment on the Russian girl. Including the sniper's scolding of "prostitutes" accompanied by the whistling of bullets. But people are so fragile and small. And so eager to survive. It's just whether you're lucky enough to be on the right team. In the humanistic atmosphere, the contradictions of war are slowly gathering. Although Lao Maozi wisely used the strategy of lure the enemy and killed 12 Germans. Using the enemy's tank as a reflector, the only remaining shell hit the hidden ammunition in the enemy's corner, again killing the enemy in large numbers. But the trend of being outnumbered and outnumbered has not changed. And Lao Maozi platoon leader is just sticking to the order of the No. 4 chief. The Germans don't feel good either. The loss of soldiers and generals made the captain's boss intolerable. On the eve of the final battle, the captain sent the Russian girl to a tower unoccupied by both sides to prepare for the final battle. And Katya was also taken to an equally empty tower by the Russian boy who had already had a crush on her for "two days", turning the searchlights and artillery fire of the Russians stubbornly resisting the German bombing at the Volga ferry at night into a stage show to watch. . When it was dawn in the early morning, the Russian girl who was about to break up couldn't help but chased out and asked the captain, "Are you coming back?" Then he fell under his own sniper rifle. The captain was distraught. Injured and captured, the Russian singer who came out to find Katya. The singer eventually burns with the captain's boss, Yu Shi. The final battle has come. With the support of 4 Tiger tanks, the Germans broke into the building that Lao Maozi was holding. The arrogance of the German aristocrats and the heartache of losing his lover led him and the Russian platoon commander to have a pistol showdown in the end. Both fell down. The communicator rushed to the walkie-talkie and asked his own artillery to fire on him. The building collapsed amidst the rumble of cannons. The camera pans back to Japan after the earthquake. The little German girl was rescued and looked for the Russian doctor who saved her. They stared at each other across the jeep for a moment. Doctor leaves Stalinger

Seeing this, my tears couldn't help but flow down all of a sudden. I want to restrain myself. But just can't hold back. Every scene in the film is just a fragment at the moment. But when watching the film, these fragments are like balls of cotton, slowly pressing in my heart. These seemingly light and warm clips finally made me unable to bear it, unable to restrain myself from twitching and crying. I can't restrain myself from walking out of the theater. It wasn't until I got in a taxi, went back to the hotel, and started writing this review that I slowly calmed down.

Some people say that the Russian nation has an unyielding spirit. It is this unyielding spirit that makes the Germans' powerful steel war machine and proud spiritual will eventually disappear into the invisible by the seemingly fragile physical bodies and the seemingly inadvertent little people who are only persistent in carrying out orders. This is true whether it is "Stalingrad" shot by the Russians or "Come on the City" shot by the Americans who were once impressed in my heart. Earlier online comments said why the Russians were fighting in Stalingrad? It's because these little people want to live. I wholeheartedly agree with that. Just to survive, to defend the land where they live, let these soldiers stick to their positions. Jean Katya, a 19-year-old girl, still sticks to her "home" after her relatives have died. On the other hand, the Russian girl who was forced by the captain and then committed to the captain. In fact, it is for survival. Under the iron shoes of the Germans, if they did not leave their homes, they would only be committed to the Germans. Auntie is old and fading. A young and beautiful girl like her was naturally the target of the Germans. It's just that Germans are human too. Not quite a war machine yet. In the war, it is still expected to obtain a little warmth of humanity. Therefore, it is not an exaggeration to say that the captain and the Russian girl are mentally and physically interdependent.

The uncontrollable emotions finally eased. Just go here. Just here. Good night

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