As a war movie, the whole thing was done in a somber tone that it made my eyes sore. There are not many grand scenes, the special effects are not very outstanding, and the whole film is not long with fighting scenes, so I think 3D is useless. Some shots are ingenious. For example, several soldiers were discussing the military situation under the quilt, and there was a scene where the scene was covered by the quilt, which really felt like a low-budget movie.
In terms of fighting, it doesn't look good. The Russian guy makes a film without Chinese technology control or American muscle control, but it gives people a feeling of living and bloody. When fighting at close range, I can't tell which is the German army and which is the Russian army. I think they all look the same, except for a few crooked melons and cracked dates. Very eye-catching for a long time.
"Stalingrad" is not satisfied with the positioning of an epic film. While telling the story of five Russian soldiers and a Russian girl, it also tells the emotional story of a German captain and a Russian girl. The relationship between the captain and the Russian girl, in my opinion, contains two points. The Russian girl and the captain's dead wife looked very much like the starting point and basis of their relationship, but later the captain's desire to protect the girl made this relationship develop rapidly towards the direction of life and death.
The story, of course, ends with the tragedy of the girl's death. Here "Stalingrad" shows the Russian army with flesh and blood and the enemy who is also flesh and blood. Obviously neither side wanted to fight again, but in order to end the war more quickly, they had to fight harder.
Let's talk about the emotional story of the Russian army. There's a lot of emotional foreshadowing, and it all falls into place, so I didn't feel any abruptness when the girl kissed one of them. But I always insist that this kind of love is the love of the elders for the little girl. They always see girls as children, not lovers.
So when the girl said to the young soldier on her last night that she loved him, I don't think the love she was talking about was carnal love, but cared-for love. So, I can't accept that the girl and the soldier come up with the child's plot on the last night. The girl is portrayed as a tough and pure little flower and bone, how can she be messed with casually?
As for the girl and the soldier's son, whoever told the story, his story of saving the earthquake girl at the beginning and the end, seems to me to be totally cancelable. Not to mention the tediousness, it also makes people feel contrived.
As for the fact that Kahn died with the Russian captain...I like it.
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