In fact, as a cross-cultural communicator, I actually feel that Chinese people do not understand Japanese people's thinking, nor do they understand Western humor. But emotion is the only thing that resonates. I have to say that Ryuichi Sakamoto's performance is very detailed. As soon as the camera is pulled in, the shock and admiration in his eyes can be seen at a glance. Jack's eyes are full of confidence, and he faces death with optimism in his language: I practiced walking for years. He is alone performing shaving, drinking tea and yearning for a beautiful and regular life. His romantic and unbridled indulgence is the pattern we know today. And yunoi's restraint and bowing, sorry, hahahaha is like a boudoir girl in China's feudal period, embarrassed and affectionate, "speaking of lust and nowhere". As a digression, I really don't understand the makeup of the version of Long Yi. Hahahaha, I can't tell if the black eyeshadow on the eyes is eyeliner or what, but it's still handsome. In addition, I have to say that the background music here is extremely tense and the beauty of their respective cultures. Unfortunately, my self-cultivation is limited and I can't understand many cultural phenomena, so I can't understand the changes in characters' personalities sometimes.
But I want to say, I didn't cry at Moonlight Cut, I just couldn't help it at Marry Christmas Lawrence on the show. "Gambling books disappeared and the fragrance of tea was poured out. At that time, it was only normal."
There must be nothing to say about Kitano's performance. The way he laughs reminds me of a boy whose first love is in the first place (although I have seen others analyze that he is not as simple as he seems)
But so what, no matter if they believe in Buddhism, Confucianism, God, or the Emperor, in my opinion, they will all return to Dao, relieved and dissipated. In the ants, in the drowning of excrement.
View more about Merry Christmas Mr. Lawrence reviews
