I feel like this movie is loose. But the plot can keep regurgitating. Celliers watched Yonoi's car from far to near, his stern eyes, the corners of his mouth drooping, the thin waist under his belt, the saber in his hand, and said it was beautiful. It was the first time that Yonoi saw the long shot that Celliers had given him during the military trial, and he was deeply attracted by the blond and blue eyes in the courtroom. Unlike Yonoi who started with Abissha trying to show that he was not a rude man, Calliers never explained much to him, even if he waved a knife and asked, "Why don't you fight me?" Smile. Inoyo wants to pull Fang Shuang to the opposite position of the ruler and the prisoner of war and wants to jump off the derailed car. Celliers silently said no more. It was two peaceful kisses in the face of a group of soldiers. It is a strand of hair that is enshrined at the shrine in the hometown. It is forbidden love. ——
Another point comes to mind.
My understanding of Celliers' last two kisses is that he doesn't want Yonoi to be a beast in the scolding and confusion of himself. He just wants to break the boat. Just to be rock-shattering. Just to shock the world. It is to let Yonoi know that his love has nowhere to hide in his Celliers. And he has sunk.
——
Another point.
Yoyoi expresses his concerns with innocence, and he expresses and hides eagerly. It all made me feel more clearly that this is eating the forbidden fruit under high-pressure spiritual domination and self-weakening. Too rusty captain, too cute. It's too forbearing.
——2020.10.09 23:19?——
I've read a lot of reviews, but this point has never wavered. I just posted a circle of friends that only I can see, and edit it here synchronously.
I don't think Celliers' love for Yonoi is equivalent to Yonoi's love for Celliers. He didn't follow the Bushido spirit he grew up with, and his twists came from the vileness and indifference he presented in his youth, self-imposed exile and the confrontation of admitting wrong ideas. But he has no more external causes. So he's a lot freer in a sense...he dares to love. And freedom means less pain. In my eyes, Celliers saves Yonoi more than love. He liberates the humanity from his animal nature, saves him from self-deprecation, and sacrifices himself, but the purity of that kind of love is hardly so strong. In his mind, Yonoi may be a huge contradictory complex coexisting with ignorance, handsomeness, seriousness, slenderness and rigidity with an untypical oriental appearance, but with a fundamentalist Bushido spirit. He was shocked by Yonoi's love for him. Because of his pain... But, I can't find a reason why he gave everything just for love.
——2020.10.10 16:32?——
The well-fitting military uniform fits neatly, the tight belt hugs a slender waist, and the forehead is as smooth as a rock in the shadow of the extremely short hair-pointing to his rank, self-discipline and temperament, all of which are symbols of abstinence. But he only had a pair of sad eyes. He looked sadly at the soldier who was going to be executed for stealing the fun. He looked sadly at Lawrence when he said about the 226 Incident, and said sadly that he wanted to invite everyone to see the cherry blossoms. Wearing samurai uniforms and clogs or military uniforms, they are not angry and arrogant, but...you can clearly see through his eyes that he has deep thoughts.
——2020.10.12 12:22?——
"Why don't you fight with me? If you defeat me, you will be free!" Was his inner voice actually: "Why don't I fight with you? If I defeat you, I will be free. "If he can put away the knots, his spirit doesn't have to be torn so painfully.
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