Lazaro leaves this unfortunate world, leaving you dirty.

Tatyana 2022-04-19 09:03:16

Judging from the way the film is expressed, it is very captivating. The actor's acting skills are in place, and the scenes, details, and dialogue are all clearly expressing what it wants to express. The audience is caught in the movie by these. From the puzzlement at the beginning of seeing the medieval-like life of the residents, the common hatred of the child stealing the rearview mirror on the motorcycle of the marquis rent collector, to the disgust at the villagers and the marquis to the son of the marquis who have been exploiting Lazaro. In the end, after Lazaro arrived in the city, he still happily accepted the discrimination and oppression that all ordinary people felt, but he couldn't feel it at all, and still treated everyone with a pure heart. I really want to say: Lazaro, you are so fucking stupid!

Movies are shocking and thought-provoking. What exactly is happiness? Why are the villagers who exploited Lazaro and the son of the marquis still as unfortunate and as miserable as before after more than ten years? Lazzaro, who has always happily spent his life satisfying anyone's request for their own sake, is a "saint"? Are "Saints" really happy?

After waking up from the initial shock, I realized that this was a lousy movie. What the director is trying to express is a view of destiny, some people are God's "chosen people", while others are God's "forsaken people". From this point of view alone, this movie can't give him high marks.

Lazaro is God's chosen people. He came to this world to tell the greedy rich and ignorant and stupid poor with his completely beneficial and incomparably simple character: Your misfortune is not because you are rich or not. Money, not at all because you are oppressed but freedom, but because you are of bad character and are God's people destined to be with the devil. And I, Lazaro, I have always been happy to serve everyone stupidly, without any malice, die once in your malice, God will let me come back to life, and then go to this dirty world to help you, but it turns out, You are not saved, so I went back to heaven.

In this movie, there is no awakening of humanity, no sublimation or degeneration of humanity, everything is already doomed. The "inferior" villagers, whether as tenant farmers or in the city, have always endured poverty with the ugliness of human nature, and the self-righteous marquise, from the disgusting face of giving Lazaro the title of "brother" from the very beginning, to More than ten years later, he invited Lazaro and his entourage to his house in order to save face and "enthusiasm", and the escape after coming to Lazaro and his entourage showed that he was always a pitiful and vain little person. And the stupid Lazaro responded to all changes without change. In the end, he simply looked at the world and died. It seems to be saying: a world can't hold me, I go to heaven, I will give it to you here, you can do it yourself.

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Extended Reading
  • Meta 2022-04-04 08:01:02

    Lazzaro has no right or wrong stance, no good or bad judgment, and always absorbs concepts in one direction. Only Antonia was aware of his susceptible passivity, and after cheating, he lied about magic and stopped involving him. However, it was still unavoidable that he clumsily used new concepts and old experiences in a brand-new social formation, leading to the tragic ending. These villagers, whether in the countryside or in the city, can only be "outside the door" when facing the higher classes (even the declining Luna family).

  • Demetrius 2022-04-10 09:01:08

    This is the most awesome "time-travel movie" I've ever seen... Watch it without spoilers, it's just a lot of surprises. The pastoral and classical in the first half, and the detachment and mystery in the second half, I can only secretly exclaim what the hell is this script written by others! Lazaro's people are a bit like Huang Xuan in Fanghua, writing about the end of the era, about the magical reality, and about the bad luck. Lazaro provides a brand new model. The male protagonist is handsome and fit, like a walking ancient Roman statue, and the casting is excellent. I love Hirokazu Koreeda, but it is puzzling that Lazaro's brilliant work lost to Hirokazu Koreeda's mediocre work in Cannes. The poster is so beautiful, I love it.

Happy as Lazzaro quotes

  • Marchesa Alfonsina De Luna: Human beings are like animals. Set them free and they realize they are slaves locked in their own misery. Right now, they suffer, but they don't know. I exploit them, they exploit that poor man. It's a chain reaction that can't be stopped.

  • Marchesa Alfonsina De Luna: He who knows himself well is humbled in his own presence. And the praise of other men provokes no pleasure. If I were to know everything in the universe and scorned the charity who would bring me the grace of God? Who would judge my actions? One should go beyond the thirst for knowledge that is the root of distraction and disappointment.