Barren Wild of Destiny

Stan 2022-04-23 07:05:44

Frigid winds, ferocious winds, a hut in the wilderness, a father and daughter struggling to survive, a miserably thin horse, a life in a predicament that repeats like a diary.

The work of the master director Bella Tal, the whole film uses black and white and long shots to set the film's cold and sad emotional tone. The technique is avant-garde and experimental, and the picture is beautiful and sad. The director attempts to portray Nietzsche's despair and despair in addition to his identity as a master of philosophy, expressing his unique understanding of Nietzsche.

A coachman whips an old horse in Turin's Piazza Carlo Albert in 1889. Nietzsche cried bitterly while holding the horse, then passed out, and a month later he was diagnosed with a serious mental illness, and he was bedridden and unhappy for the next 11 years. It can be said that Bella's "The Horse of Turin" was inspired by this story, and made a reasonable imagination and blank for Nietzsche. Nietzsche said, "Without light, there is no light in the world, and there is no light in the world, and there is darkness and darkness.

At the end of the film, the father and daughter are plunged into darkness, the well is dry, the water has run out, the coals have gone out, the oil lamp can no longer be lit, and God is dead.

The wind is blowing, the sand dunes, withered trees, and barren land in the distance seem to be an isolated island in the world, piled up with human suffering and hardships. On the sixth day, he fed the scrawny horses with grass; he swallowed the potatoes with his hands in the palm of his hand; he walked with difficulty in the strong wind, and carried a bucket to a well not far away to fetch water. The movie depicts the life of two people in a stone hut over and over again. It is full of human grief. There is no laughter and no sunshine. It is like purgatory, and there is no hope. Everything is going to be difficult and dying.

Nietzsche in the film is irritable and inconvenient, and is cared for by his daughter carefully and considerately. He is always silent, his deep eyes are always sad, his curly hair and beard are like the roots of an old tree in the wind, and he himself is like a rotten old tree, about to die, but still facing the bleak In his life, I saw in him the spirit of the tough guy, the indomitable struggle and the unquenchable flame of life. The daughter of a philosopher, facing the hardships of life, she retains dignity, her beauty is in stark contrast to the devastation she is in, she does things seriously, fights hard, and uses her life to resist the blow of fate with perseverance , she is like a sonorous rose.

The film discusses people, fate and predicament. There are not a few lines, and they are basically silent. Except for daily communication and scolding, there are only a few lines to discuss the predicament of people, the despair of noble and great people, God, God... Nietzsche is in "Thus spake Zarathusta," says, "This tree stands alone by the side of the hill here, it transcends men and beasts and grows to the heights... Now it waits, waits again and again - it waits What? It lives so close to the clouds that it might be waiting for a lightning bolt? … a lightning bolt of destruction."

"Horse of Turin" strikes the audience's soul hard. It is a visualization of philosophy. It is not only the fog, but also the way forward. It is elusive but has eternal philosophy. It is art itself, and its movies show the smooth flow and baptism of strong winds that movies should have. Movies do not need too many plots. Every frame is a reflection, a contrast, and a questioning of life.

Life is like a wilderness. "There is nowhere to go, only the present, waiting for destruction and freedom."

There is no God here, there is no God, only oneself is one's own God.

View more about The Turin Horse reviews

Extended Reading
  • Ludie 2022-04-01 09:01:19

    Movies that require patience

  • Friedrich 2022-04-24 07:01:26

    The shooting techniques and images have a strong impact, a rare masterpiece

The Turin Horse quotes

  • Narrator: In Turin on the 3rd of January 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert, perhaps to take a stroll, perhaps to go by the post office to collect his mail. Not far from him, the driver of a hansome cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver - Giuseppe? Carlo? Ettore? - loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene caused by the driver, by this time foaming at the mouth with rage. For the solidly built and full-moustached gentleman suddenly jumps up to the cab and throws his arms around the horse's neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words "Mutter, ich bin dumm!" and lives for another ten years, silent and demented, under the care of his mother and sisters. We do not know what happened to the horse.

  • Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.