Frigid winds, ferocious winds, a hut in the wilderness, a father and daughter struggling to survive, a miserably thin horse, a life in a predicament that repeats like a diary.
The work of the master director Bella Tal, the whole film uses black and white and long shots to set the film's cold and sad emotional tone. The technique is avant-garde and experimental, and the picture is beautiful and sad. The director attempts to portray Nietzsche's despair and despair in addition to his identity as a master of philosophy, expressing his unique understanding of Nietzsche.
A coachman whips an old horse in Turin's Piazza Carlo Albert in 1889. Nietzsche cried bitterly while holding the horse, then passed out, and a month later he was diagnosed with a serious mental illness, and he was bedridden and unhappy for the next 11 years. It can be said that Bella's "The Horse of Turin" was inspired by this story, and made a reasonable imagination and blank for Nietzsche. Nietzsche said, "Without light, there is no light in the world, and there is no light in the world, and there is darkness and darkness.
At the end of the film, the father and daughter are plunged into darkness, the well is dry, the water has run out, the coals have gone out, the oil lamp can no longer be lit, and God is dead.
The wind is blowing, the sand dunes, withered trees, and barren land in the distance seem to be an isolated island in the world, piled up with human suffering and hardships. On the sixth day, he fed the scrawny horses with grass; he swallowed the potatoes with his hands in the palm of his hand; he walked with difficulty in the strong wind, and carried a bucket to a well not far away to fetch water. The movie depicts the life of two people in a stone hut over and over again. It is full of human grief. There is no laughter and no sunshine. It is like purgatory, and there is no hope. Everything is going to be difficult and dying.
Nietzsche in the film is irritable and inconvenient, and is cared for by his daughter carefully and considerately. He is always silent, his deep eyes are always sad, his curly hair and beard are like the roots of an old tree in the wind, and he himself is like a rotten old tree, about to die, but still facing the bleak In his life, I saw in him the spirit of the tough guy, the indomitable struggle and the unquenchable flame of life. The daughter of a philosopher, facing the hardships of life, she retains dignity, her beauty is in stark contrast to the devastation she is in, she does things seriously, fights hard, and uses her life to resist the blow of fate with perseverance , she is like a sonorous rose.
The film discusses people, fate and predicament. There are not a few lines, and they are basically silent. Except for daily communication and scolding, there are only a few lines to discuss the predicament of people, the despair of noble and great people, God, God... Nietzsche is in "Thus spake Zarathusta," says, "This tree stands alone by the side of the hill here, it transcends men and beasts and grows to the heights... Now it waits, waits again and again - it waits What? It lives so close to the clouds that it might be waiting for a lightning bolt? … a lightning bolt of destruction."
"Horse of Turin" strikes the audience's soul hard. It is a visualization of philosophy. It is not only the fog, but also the way forward. It is elusive but has eternal philosophy. It is art itself, and its movies show the smooth flow and baptism of strong winds that movies should have. Movies do not need too many plots. Every frame is a reflection, a contrast, and a questioning of life.
Life is like a wilderness. "There is nowhere to go, only the present, waiting for destruction and freedom."
There is no God here, there is no God, only oneself is one's own God.
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