"Mount Everest"

Jovani 2022-04-22 07:01:55

Bellatar is a Mount Everest to many current directors.

God created the world in seven days, there was light on the first day, the light disappeared on the fifth day in the movie; water was created on the second day, the well dried up on the fourth day in the movie, and the seventh day, there was no seventh day in the movie because it Not a divine creationism, but Beratar's view of creation. Many people say that this is an anti-Nietzsche (specifically refer to a large paragraph of the fat man at about 1:04) and a philosophical film. I think it's more of a pure movie, where humans become flesh (draw water, dress, feed horses and eat potatoes...) a flesh that does these repetitive actions, doing the same thing every day, but Bellatar fills the pit of plot repetition perfectly, even if it is eating potatoes, it becomes different with each day of "creating the world", the way of camera, the movement of characters in the scene, and you seem to think that they are doing different things Not only that, from the first day the groom hurriedly ate the potatoes, the girl ate slowly, to the fifth day the groom only took a bite, and then to the sixth day because there was no fire and no water, the two of them changed their plates. It became a raw potato, the groom told the girl "you must eat" (this is what the girl said to the old horse on the third day), the girl refused (perhaps after the arrival of the gypsies and the failure of the fourth day, The girl's mood has changed, and she and the groom are in opposition for the first time)

In addition, in Tal's pure film, there is basically no emotional intervention, but it can still infect the audience's emotions. How is it achieved? After watching it, I couldn't help but remember the only piece of music used. There is no other soundtrack in the movie, only this song and the same soundtrack. It is conceivable how profound Tal's skill in using sound has reached, returning to the basics. Music is indeed the most emotional form, how to use it to the greatest extent, Beratar did it.

Every day in the film is almost a complete body, and there are basically few cuts. I have to say here that Bellatar is a poetic long shot, scene character scheduling, and clean comprehension of shots, which must be very rare. what a director can do. It is not an exaggeration to call him a master.

After watching this "Horse of Turin", I seem to appreciate the power of black and white movies. Especially in this period of color cinema. And the Horse of Turin is the first work I saw directed by Tarr, and I am looking forward to the remaining few.

View more about The Turin Horse reviews

Extended Reading
  • Krista 2022-04-03 09:01:12

    Bella Tarr's final work revolves around the horse and its owner who resonated with Nietzsche and became insane for ten years. The long shot vividly shows the six-day despair of the father and daughter waiting to die. Nietzsche said: "The most difficult stage in life is not that no one understands you, but that you don't understand yourself." The whole film is depressing and thought-provoking. The old horse's anger at his own fate refused to eat, and the father and daughter refused to be redeemed and died on the sixth day. Isn't this a hint of Nietzsche and the fate and life of most of us?

  • Demetrius 2022-04-02 09:01:16

    A very meaningful movie that needs to stop and watch

The Turin Horse quotes

  • Narrator: In Turin on the 3rd of January 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert, perhaps to take a stroll, perhaps to go by the post office to collect his mail. Not far from him, the driver of a hansome cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver - Giuseppe? Carlo? Ettore? - loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene caused by the driver, by this time foaming at the mouth with rage. For the solidly built and full-moustached gentleman suddenly jumps up to the cab and throws his arms around the horse's neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words "Mutter, ich bin dumm!" and lives for another ten years, silent and demented, under the care of his mother and sisters. We do not know what happened to the horse.

  • Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.