To the Horse of Turin

Margaretta 2022-04-22 07:01:55

How to make the audience empathize with the characters? Beratar uses one of the smartest and easiest, surest, and most risky methods, which is to get the audience to walk with the characters, and you have to go through the trivialities they go through. This aspect is really at the two extremes of Bresson, hahaha, get up and put on clothes, you have to watch them wear, wear pants, wear the left foot and wear the right foot, wear pants and shirts, wear shirts and coats. After watching it a few times, like them, you are also used to getting up every day and your daughter helps her father get dressed, and you feel the numbness and emptiness of life. We are just as bored as they are. My father has a disability in his right hand, which makes it inconvenient to wear clothes. impatient. The same is true of going to the well to fetch water. The first time I saw it, I saw my daughter carrying the strong wind to fetch water, and I felt her pain and hardship at the same time. I felt the chaos and helplessness in the strong wind (just like the hell in the Divine Comedy). After a few times, she gets used to it - but she's used to it long ago... When the water runs out, we'll be just as surprised as they are.

Chaos in the wind

Speaking of the gale in the movie, wow, Bellatar's style is really beautiful. In order to accentuate the ferocity of the wind, the character has to have long hair and wear more clothes so that it can fly in the wind... There are also a lot of debris and fog in the wind to visualize the wind.

end of sight

Being and nothingness are the themes of the film, and everything goes to disappear. The Turin horse went out first, then went on strike, and when they left the house, people were pulling the cart... The horse began to swing first

The person who asked for wine said: The strong wind destroyed the town, and the person who came to ask for wine also gave a wonderful speech, hahaha. Before he came, that shot felt forbidden. In the previous shot, there would always be two flames jumping in the picture or debris flying outside the window in the wind to prove that this was not a still picture, but this shot: "Father and daughter Sit quietly after eating potatoes" I really didn't find anything moving, maybe there is, maybe Beratar arranged a perfect silence before the longest and fastest dialogue in the whole film.

Brilliant nihilistic speech

Well, let’s continue to talk about nothingness, “Although the tortoise has a long life, it will eventually become ashes.” Everything is fading away. The water will disappear first, so there is no need to take the strong wind to fetch water. Then the wind was gone, and the gale that brought disaster also disappeared... There was only silence after the storm. The fire was gone, there was oil in the lamp but it was no longer lit, and the next day, the potatoes that were eaten every day were too undercooked to eat.

Silence, or silence...

Then, there was nothing left of the two at the dinner table—silence, still silence. The two remained motionless as if time had ceased to exist, and in the end the movie went black, as if the light had disappeared. It's like everything is gone. What is the meaning of the father and daughter tossing for so long, Beratar throws the question to us

The above remarks are all my stupid, rhetorical nonsense. If you don't like, agree or understand, please bear with me...

View more about The Turin Horse reviews

Extended Reading

The Turin Horse quotes

  • Narrator: In Turin on the 3rd of January 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert, perhaps to take a stroll, perhaps to go by the post office to collect his mail. Not far from him, the driver of a hansome cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver - Giuseppe? Carlo? Ettore? - loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene caused by the driver, by this time foaming at the mouth with rage. For the solidly built and full-moustached gentleman suddenly jumps up to the cab and throws his arms around the horse's neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words "Mutter, ich bin dumm!" and lives for another ten years, silent and demented, under the care of his mother and sisters. We do not know what happened to the horse.

  • Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.