How to make the audience empathize with the characters? Beratar uses one of the smartest and easiest, surest, and most risky methods, which is to get the audience to walk with the characters, and you have to go through the trivialities they go through. This aspect is really at the two extremes of Bresson, hahaha, get up and put on clothes, you have to watch them wear, wear pants, wear the left foot and wear the right foot, wear pants and shirts, wear shirts and coats. After watching it a few times, like them, you are also used to getting up every day and your daughter helps her father get dressed, and you feel the numbness and emptiness of life. We are just as bored as they are. My father has a disability in his right hand, which makes it inconvenient to wear clothes. impatient. The same is true of going to the well to fetch water. The first time I saw it, I saw my daughter carrying the strong wind to fetch water, and I felt her pain and hardship at the same time. I felt the chaos and helplessness in the strong wind (just like the hell in the Divine Comedy). After a few times, she gets used to it - but she's used to it long ago... When the water runs out, we'll be just as surprised as they are.
Speaking of the gale in the movie, wow, Bellatar's style is really beautiful. In order to accentuate the ferocity of the wind, the character has to have long hair and wear more clothes so that it can fly in the wind... There are also a lot of debris and fog in the wind to visualize the wind.
Being and nothingness are the themes of the film, and everything goes to disappear. The Turin horse went out first, then went on strike, and when they left the house, people were pulling the cart... The horse began to swing first
The person who asked for wine said: The strong wind destroyed the town, and the person who came to ask for wine also gave a wonderful speech, hahaha. Before he came, that shot felt forbidden. In the previous shot, there would always be two flames jumping in the picture or debris flying outside the window in the wind to prove that this was not a still picture, but this shot: "Father and daughter Sit quietly after eating potatoes" I really didn't find anything moving, maybe there is, maybe Beratar arranged a perfect silence before the longest and fastest dialogue in the whole film.
Well, let’s continue to talk about nothingness, “Although the tortoise has a long life, it will eventually become ashes.” Everything is fading away. The water will disappear first, so there is no need to take the strong wind to fetch water. Then the wind was gone, and the gale that brought disaster also disappeared... There was only silence after the storm. The fire was gone, there was oil in the lamp but it was no longer lit, and the next day, the potatoes that were eaten every day were too undercooked to eat.
Then, there was nothing left of the two at the dinner table—silence, still silence. The two remained motionless as if time had ceased to exist, and in the end the movie went black, as if the light had disappeared. It's like everything is gone. What is the meaning of the father and daughter tossing for so long, Beratar throws the question to us
The above remarks are all my stupid, rhetorical nonsense. If you don't like, agree or understand, please bear with me...
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