It's obviously a very powerful movie. Although I'm sorry, I also doubled the speed, but this movie can't be watched with pure "seeing" eyes, but thinking.
Many of the actions in it are long shots from the back, which are particularly smooth, and even include the shot of sitting on a chair staring at the wind and sand outside the window, and constantly connecting the father and daughter.
It is worth noting that there are several repetitions: First, dressing, the layers of clothing are similar to the figurines that humans put on themselves, the shame that cannot be changed even before the "doomsday" (there are more clips, I feel quite cured. More exciting than vlogs...). The second is the long shot of the action mentioned above, especially the action of pulling the horse at the beginning, horizontal and vertical aerial close-ups, etc. The third is the eating scenes that appear many times, from the different close-ups of the father and the daughter (the father peels the skin very fast, the daughter is slow, symbolizing different tolerance) to the two people together in the same person, to the exchange of positions, to the absence of potatoes The picture of eating two people climaxes.
Background: From the rich man who drank heavily in the wind and dust to buying wine at home, his words to the Bible to the background, including the lights that could not be lit, what he actually said was not a piece of "history", but the future. end. "Man is guilty"
Daughter: Kind, enduring and pure and ignorant image, but caring for her father has taken her from a daughter to a "Virgin". Especially the scene of reading every word of the Bible reveals her identity as a seeker
Whether the father symbolizes Nietzsche is hard to say. Nietzsche's superhuman will does not mean that he can continue to persevere in pain, and it is not a stubborn image. They return to the room where they are being judged for the horse that can no longer walk, and the daughter tenderly but desperately refuses at her father's stern request to "live." Rather than saying that the father is like Nietzsche, it is better to say that he is like the will of universal demands and at the same time the suffering of life itself. The daughter from enduring to despair is the best representative of Nietzsche's spirit.
Some people say that Beratar's purpose is to "anti-Nietzsche", pointing out the limitations of Nietzsche, I don't think he can achieve it. Beratar still looked cruelly at the world with Nietzsche's eyes. What he pointed out was not the flaws in one's philosophy or the disintegration of ice, but Nietzsche's spiritual world. The part that speaks to the world. Beratar himself said: "When you watch the movie, do you get stronger or weaker?"
Regarding the understanding of the number of days in the movie, here is an excerpt: "It is said that God created the world in 6 days, and I imagine an opposite process." Bella Tal said, that is to say, "The Horse of Turin" depicts a world The process of "destruction", the collapse of value, the deprivation of the will to life, everything tends to be barren, and the arrogant wind swept the earth; people tried to escape but failed, and had to return to their original places and wait for death to come. God created the world in six days, on the first day God created light, on the fifth day in the film the light disappeared, on the second day he created water, on the fourth day the water disappeared. This "anti-Genesis" process indicates that the father and daughter on the sixth day have fallen into a chaotic state of "death", just as at the end of the fifth day, the director's narration has already narrated that "death has fallen."
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