As a finalized work in which the artist himself claims to have "said everything he wanted to say", "The Horse of Turin" is not a film about Nietzsche's theory, and no artist will go to great lengths to explain the truth of others when he matures. Beratar has created a barren and difficult living environment, presenting a concept in a way that removes all complexity: exploitation. Exploitation refers to the gratuitous possession of other people's labor or products. In a sense, this is the essence pursued by capital. "God" has become one of the excuses created by people to help them achieve exploitation. Duan Duo is talking about this. The same is true for horses that are labored for free. Beratar presents the essence of capital with pure image essence, bold and extreme. What Beratar photographed was not Nietzsche's theory, but Nietzsche's spirit: a fighter who laughs at all tragedies at the top of tragedy. In the latter part of the film, the light source goes out for no reason. At the exchange meeting, the director asked everyone how they felt about this, and the answer was pessimism and despair. Beratar said, "You said I was too pessimistic, but what I want to ask is, as a Audience, when you watch the movie, do you get stronger or weaker?". The director's selfish answer is probably that the horse who would rather go on a hunger strike and fight against the world is Nietzsche's fighting spirit, because after that, if there is no candlelight, you will be the only light. important lines
1. "Can't you see it's not going to go?" 2. "You know, because the world has fallen, so it doesn't matter what I say, because everything they get will fall" 3. "Heaven is in it. All, what they have is what we dream of, at this moment, nature, endless silence, it is theirs, even eternal life, you know?" 4. "Even the embers will be extinguished" "Tomorrow we will try"
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