Turin Horse 2011 Xunali

Landen 2022-04-20 09:02:52

The wind was really strong, and several leaves got tangled in the hair, and the hair and the hair fought with each other. Lonely, desolate, dead... the wind blew ghostly howls. The environment is extremely bad, the life is extremely lonely, and the body and spirit are destroyed. Like waiting to die, but ate and slept again. "Everything is in destruction, everything is degenerate." It was also flat and indifferent. I watched it for more than 50 minutes and couldn't stand it anymore. It's more uncomfortable than boring. Can live with this movie, you can live with life! What do they think when they look at the wind and sand outside the window? What do you want to express? Bella Tarr started making films at the age of 16, when he first filmed the life of a gypsy worker who "had nothing", trying to fight the social problems of socialist Hungary in an angry tone, which resulted in him being included in the authorities' list. in the blacklist. Beginning with the earliest short film, the characters in Bella Tarr's images, no matter how low their status or how poor their lives, have presented a kind of human dignity. . This kind of dignity allows people to have a little courage even in the face of a bleak life. Maybe that's what he said makes a person "strong", after all, according to Romain Rolland, this is the real and only "heroism". Why did Nietzsche cry with a horse? "The Horse of Turin" is a story about the German philosopher Nietzsche, who is said to have encountered such a thing before his mental breakdown in his later years: "On January 3, 1889, Turin, Friedrich Nietzsche walked out of the gates of Via Carlo Alberto 6, perhaps to take a walk, perhaps to pick up a letter from the post office. Not far from him, or actually At a great distance from him, a coachman was wrestling with his stubborn horse, which would not move no matter what he tried. So the coachman Giuseppe Carlo Ettore, impatient, swung his whip towards him. The horse was drawn away. Nietzsche approached the crowd and stopped the cruel scene. The coachman was so angry at the moment. The burly, bearded Nietzsche suddenly jumped into the carriage, threw his arms around the horse's neck, and began to sob. The neighbors took him home, and he lay on the low sofa for two days, motionless, without saying a word, until he finally murmured the last words of his life: Mom, I'm so stupid. Nietzsche continued to live under the care of his sister for 10 years, with a mild temper and confusion. As for the horse, we know nothing." Some people say that Nietzsche went mad because of the horse, others say it was something else The reason, we also know nothing. However, why did Nietzsche, at that moment, use his body to block the whip of the coachman and cry bitterly while hugging the horse? In history, Nietzsche was not the first to cry with a horse. In 1887, Nietzsche read the works of the former Soviet writer Dostoevsky for the first time in his life. In his novel "Crime and Punishment", when he was young The hero of Raskolnikov had witnessed a drunken coachman, constantly whipping the invincible skinny horse. When passersby saw such a situation, a few people also picked up the whip and started whipping the horse, shouting, whistling, and smirking at its eyes. Raskolnikov burst into tears and shouted loudly, ignoring the whip on his face and hugging the dying horse, but those who smoked the horse not only did not stop the torture, but instead shouted, "Kill the horse. Die it!" Finally ended the life of the horse. This scene was deeply imprinted in Nietzsche's mind, he wrote in a letter to a friend: "Yesterday, I imagined a moral tearful image, talking to Diderot. The artistry and metaphor of the film, pure and profound, The intention behind it is...

2018.2.25

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The Turin Horse quotes

  • Narrator: In Turin on the 3rd of January 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert, perhaps to take a stroll, perhaps to go by the post office to collect his mail. Not far from him, the driver of a hansome cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver - Giuseppe? Carlo? Ettore? - loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene caused by the driver, by this time foaming at the mouth with rage. For the solidly built and full-moustached gentleman suddenly jumps up to the cab and throws his arms around the horse's neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words "Mutter, ich bin dumm!" and lives for another ten years, silent and demented, under the care of his mother and sisters. We do not know what happened to the horse.

  • Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.