This film has the longest wind time among the known films. It blows as soon as the door is opened, and it blows as soon as the door is opened. The characters don't speak much, nor do they speak much Mandarin, but they are the closest to philosophical concepts.
The color tone of the whole film is unified, the color style is black and white, and the dialogue is simple and repeated. The narrative of the story feels heavy and dignified. The whole kernel is powerful. The picture is extremely simple without losing the temperament of Western minimalist painting.
Director Bella Tarr is the personal idol of the late young director Hu Qian. Perhaps the emotional source of Hu Qian's love for a donkey is this "Horse of Turin". The role of the steed is like a strong horse in the trenches, it is strong but not strong, tall and straight but no longer powerful, and has been tortured by the world.
On a larger theme, the film adopts a time point opposite to God's creation of the world, creating light on the first day, and water and air on the second day. On the penultimate day the water disappeared, and Bella Tarr turned the lights out on the last day, proclaiming to God that the world was dead. Anything grand is going to be excellent.
The film "Horse of Turin" appeared several times with black pictures and no sound. The person who dared to do such a long is also a master figure.
In terms of characters, the hero's daughter was the one who impressed the most. When the potatoes could no longer be cooked, the heroine refused to eat them raw. Like the horse, she went on a hunger strike when she was dying - she was taught by her father day after day. And the commander, his face and expression hardly changed, even close to pale, when the male protagonist whipped the horse, the daughter stopped the male protagonist, as if Nietzsche's incarnation was reflected on a horse.
The comparison of "The Horse of Turin" is a comparison of the survival demands of all living beings. From the perspective of "all living beings", it is a masterpiece.
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