【November 30, 2021 at 21:49 pm】
two brushes
Story introduction:
Three women in the 1960s, 1980s, and modern times have completely different stories in the same room, including family, friendship, and love, and the commonality is that they are all facing the betrayal of men
Bethian in the 60's
Facing her husband's derailment, her first reaction was to drive away the mistress and keep her unfaithful husband.
The husband is the breadwinner of the family and occupies an absolute dominant position in the relationship between husband and wife. The husband does not allow her to have dreams, she does not require her to be beautiful, but only needs her to be able to cook delicious dishes when her husband is off work. After so many years, She didn't feel anything wrong until she discovered her husband's derailment, and she suddenly woke up: without her husband, who would she be? How does she survive?
And Xiaosan loves Pu'er, although her education level is not high, and she only has a job as a waiter, but she insists on personal financial independence, has the courage to try new things, dares to pursue unrealistic dreams (being a singer), and takes the initiative to strive for opportunities (and bars). boss, and Bethian husband), put personal value in a very high position.
Under the guidance of Ai Pu'er, Besian's sense of independence gradually regained consciousness. She stopped revolving around her husband blindly, played the piano again, had the courage to say no to the neighbor's domestic abuser, and finally helped the victim of domestic violence to escape the sea of misery. , in any age, are girls help girls.
Simon in the 80's
Simon, a brave character, faced the unhappiness of marriage, boldly refused, and started over
What moved me more was her relationship with Carl. Although Carl is gay, he is also her best friend. When she found out that Carl had AIDS, Carl's first reaction was: "It won't be contagious to you," and Simon said: "Do you think I'm afraid of being infected?"
In order to take care of the sick Carl, Simon gave up the trip with his little boyfriend Tommy and gave Carl the greatest support, which moved me very much.
In the end, when Carl passed away, he only wanted Simon to be by his side. They danced. Simon was wearing a bright red dress and lay beside Carl. At that moment, I believed that they were in love, or love, or Friendship or family.
modern taylor
This couple in an open relationship blew me away
Of course, there is a lot of freedom and excitement that open love brings, but it also brings jealousy.
Taylor, who is in the traditional legal profession, works from 9 to 5 with a stable income. And screenwriter Eli, the economy is unstable, but once successful, it will bring a temporary large income.
As a stable source of income for the family, Taylor takes care of and tolerates the inert and drug addict Eli in every possible way. She needs to relax, and Jade, who has no financial connection, develops into a lover. The relapse of drug addiction, the dependence on huge income, and the overreaction to Taylor's strength in the past made Jade fuel the flames.
In the final analysis, it is caused by the sense of mistrust and jealousy brought about by an open relationship.
Talk about feelings:
I like this film very much. First of all, it cleverly strung three lines together through the same villa, and the three stories happened at the same time, and you don't feel cluttered. Secondly, the three lines reflect the current situation of women in the three eras, and the three protagonists also have very different personalities and look very emotional. In the end, the picture is very beautiful, and the language of many shots is very clever. In the "murder" part of the last episode, Beth Ann's shooting, Simon and Carl's dance, Tyler Elijade and her boyfriend's fight, time and space are interlaced, with the symphony, Tear together, what a good show!
Finally, a favorite movie review:
From living around her husband in the 1960s, to holding hands with LGBTQ groups in the 1980s, to the discussion of open sexual relations in 2019, the three seemingly bloody plots of "Deadly Woman" actually show us the independent development of American women. The exploration of self-worth, support for the rights of social minorities, the pursuit of economic ability on par with men, and the ultimate pursuit of undifferentiated equality between men and women.
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