Painter Auguste (Boulville) and bandleader Stanislas (Louis de Fenes), plus director Uri, the French Iron Triangle.
Looking at this film now, although I feel that the performance is a bit overdone, the plot can't be too deep, and I don't even understand the shooting and editing of the two close-ups of the British soldiers' faces, but after all, he is a blockbuster made in 1966, and the box office is still the best box office film in France. One burden after another, the inner contradictions continue to advance the plot.
I think the popularity of this film in France should have a lot to do with his background. In the heavy war years, it is definitely a pioneering work to make comedy on the subject of war, and the performance of the actors is indeed a classic, it should be It's a typical French performance, pretending to be stupid, the enemy is stupid, honest people are always bullied, but in the end, it's the stupid people who are stupid, the commander's body language is exaggerated, and the painter's performance is preferred.
This film will become a farce after a little while, and the heat is just right, it's a classic.
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