This season follows the signature selling points of the previous two seasons: the vibrant summer town feeling, the retro-style tribute to classics everywhere, the multi-line narrative with cross clues and the tension-packed group drama, this post-80s book Satisfied.
The golden sentence is Erica's old girl. Every time she speaks, 10,000 points of AOE will not be discounted. She is a math genius. I love it.
The scumbag Steve sold ice cream despite the humiliation, but he still couldn't get rid of the bad luck of being beaten (this time, the iron fist of real socialism), and looked at the girl who was born and died together, but the girl said that I care about you only because of me The girl you have a crush on likes you, can you abuse it a little more (does the screenwriter lack a blade at home)?
Алексей, who has a bad face and is actually too cute, is so distressing, I hope he can throw away his nationality and live a free life together with Murray. May there be an endless supply of Cherry Slurpees in heaven (Is there a shortage of blades at the screenwriter's house × 2).
Although it was predicted last season that Billy would play Snake, but watching him wake up his remaining will with the warmth of his memories and walk towards the glorious moment in the bully's redemption routine, there is still some reluctance in his heart (Is there a lack of blades in the screenwriter's home × 3).
In this season, Baby Dustin is quite proud, not only has baby Suzie who is in love with each other, but also finds key clues about the secret base of the Soviet military. In the end, in order to get the accurate Planck constant, he was "forced" to sing a love song, and laughed.
But Hopper, I'm the least worried, although the ending deceived so many tears, but I don't believe that there is no rescue of the sheriff in the main line of the next season - if the American at the end is El's father or someone else, I will personally call the screenwriter. Send the blade.
As the body grows, the core topics of the foursome shift from science, movies and D&D to girls, saying goodbye to the once carefree play that inevitably creates distance. Counting down the four couples of the middle-aged group (Joyce & Hopper), the youth group (Nancy & Jonathan), and the junior group (El & Mike and Max & Lucas) in this season, they all encountered difficulties after a short period of sweetness.
Joyce and Hopper, two people who suffer from the same illness, have experienced ups and downs together, and they are attracted to each other but tacitly. Instead, they bicker endlessly like children. It was not until Murray broke everything that they put down the layers of cover, but it was too late. (Have to wait until next season for an appointment at Enzo's).
It can be said that Nancy and Jonathan are two people who are not in the right household, and even have completely different ways of thinking. Their contradiction is like a fierce collision between idealism and realism. In a sense, neither of them has done anything wrong, but they are the result of facing different situations with the concepts they have always believed in. Fortunately, they realized that the test between partners is not one-on-one arguing right and wrong, but honest communication and solving the problem.
El and Mike continued the previous season's close-knit, shameless kiss to make the old father feel "uncomfortable", but obviously this sweetness is an illusion of maturity dominated by hormones, and it is difficult to face the reality. So under the coercion of Hopper, the simple and fragile relationship between the two of them was turbulent. Fortunately, after a series of trials and tribulations, the two explored the true meaning of love, and at the end gave a goodbye kiss belonging to a true lover.
As M. Scott Peck said - "Love is a desire for self-improvement in order to promote the mental maturity of self and others."
(Express, come back, I will not send the blade!)
In general, the villain of the third season has changed from the US Department of Energy to the Soviet military, introducing elements of espionage, and the scenes are darker and bloodier, with Terminator-like Soviet officers, expressionless host townspeople and fusion flesh. The terrifying monsters make people crazy. But the thrilling audio-visual experience for the audience comes at the expense of the plausibility of the plot, and the sheer themes are so unwieldy that there are clichés—for example, the sinister and devious Mind Flayer showdown Shi's insanity, and the image of the Soviet villain who won the audience's favor, ruined the immersion of the entire script. However, the flaws do not hide the flaws. This season, the production level has been maintained. As a "love letter to the post-80s", with a refreshing and thrilling style, it is simply a must-have dessert in hot summer.
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