There is a scene in the film that reminds me of the unkempt Mozart with a decadent and tired face, playing billiards with his left hand, and casually composing music with white goose feathers in his right hand. This is how Jing Shi Jue Dang was born, and it is not "difficult to give birth." . This is often the case. A genius with a surly behavior and an idiot is born to be able to make a fuss of "Guangling San". The musicians with "head hanging beams and thorns" may not be able to comprehend the essence of music when they die. Genius means that his mind will always float in the sky like a white cloud, vast and boundless, and there is no time to care about the troubles of his feet. As a result, he has trampled on the various reasonable and unreasonable barriers set by mankind, such as wild horses and large strides. ". I really like the harsh and surly smiles that Mozart often burst out from nowhere in a group of people sitting in a serious situation on important occasions. That piercing smile was like God's teasing of worldly hypocrisy. The top audiovisual of the movie can be called the top! I am afraid that there is no film in the history of film that has a soundtrack comparable to this film, because the music editor of the film is run by Wolfgang Mozart. The photography, performance, lines, etc. are extremely high-level. Although Mozart in the film uses his genius and unruly to make me often wonder and laugh secretly, but that Salieri impressed me even more. He is like a "vulture", hypocritical, cunning, vile and jealous, and will not give up until he reaches his goal. I can't help shuddering when I see him appearing "gently" again and again. However, "the hateful person must be pitiful", what is wrong with him, he loves music but he can be mediocre, just as God gave a chef the best cooking utensils, but he only rationed him with coarse chaff and sewage for his cooking. Salieri's greatest original sin God gave him incomparable ambition, but he forgot to put flying wings on his ambition! ! ! ! ! There are two clues in the film. The open line is the conflicts between Mozart and Salieri, and the dark line is Mozart's music like that day. There are a lot of Mozart's original music in the film, which is very appropriate and natural filed as the plot unfolds. It has the meaning of music instead of the camera and lines to act as the narrator. The taste is very good. After all, an artist's work is the most important to the artist. Good interpretation. Mozart left so many beautiful chapters to comfort our souls, but his life was a complete tragedy. As the darling of God, geniuses are often ignorant and unsophisticated. In the film, Mozart's talents can compete with the sun and the moon, making the Austrian monarch of "elegant taste" and "wise and wise" yawn again and again. These similar scenes often appear in the film, such as the "dog nobleman" (raised) Many nobles with pet dogs) let Mozart play the piano just to make his pet dog High! ! ! The most hateful is the end of the film. Amidst the pouring of fish, his funeral ended hastily, with few attendees, and he was buried in a "mass grave" like an anonymous person. The most ironic thing is that the laymen don’t understand Mozart's willingness to belittle him, even his only soulmate intends to murder him, wanting to put it to death and then hurry up. (This is the only collaboration between Mozart and Salieri before Mozart's death) PS: Haha, it turns out that certain Zart has only one friend in this world, and that is music, and his enemy is the whole world. In the film, the power struggle between the king and the bishop made me know how to smile. The struggle for Mozart is just a gimmick, and what genius can do is just a chess piece and plaything of the king and nobleman. But then again, just like the biographical films such as "Social Network" and "The Aviator", "The Words of the Novelist" is nothing more than putting the historical figures in the minds of the director and screenwriter into a trick on the stage. It's fun. I don’t believe that the real Mozart in the history of his short life "fucked" with Salieri from the beginning to the end, or was harmed by Salieri. If you want to understand the real history, you should go to the damn thing. The textbooks are wonderful. Remember! ! ! ! : Most of the footnotes in the biographical film "The Great Change of Life" are "Most of the film is an artistic fiction, and any similarities are purely coincidental." This film is no exception. Haha, it turns out that Zate has only one friend in this world, and that is music, and his enemy is the whole world. In the film, the power struggle between the king and the bishop made me know how to laugh. The struggle for Mozart is just a gimmick, and what genius can do is just a chess piece and plaything for the king and nobleman. But then again, just like the biographical films such as "Social Network" and "The Aviator", "The Words of the Novelist" is nothing more than putting the historical figures in the minds of the director and screenwriter into a trick on the stage. It's fun. I don’t believe that the real Mozart in the history of his short life "fucked" with Salieri from the beginning to the end, or was harmed by Salieri. If you want to understand the real history, you should go to the damn thing. The textbooks are wonderful. Remember! ! ! ! : Most of the footnotes in the biographical film are "most of the film is artistic fiction, any similarities are purely coincidental". This film is no exception. Haha, it turns out that Zate has only one friend in this world, and that is music, and his enemy is the whole world. In the film, the power struggle between the king and the bishop made me know how to laugh. The struggle for Mozart is just a gimmick, and what genius can do is just a chess piece and plaything for the king and nobleman. But then again, just like the biographical films such as "Social Network" and "The Aviator", "The Word of the Novelist" is nothing more than putting the historical characters in the directors and screenwriters in their hearts into tricks on the stage. It's fun. I don’t believe that the real Mozart in the history of his short life "fucked" with Salieri from the beginning to the end, or was harmed by Salieri. If you want to understand the real history, you should go to the damn thing. The textbooks are wonderful. Remember! ! ! ! : Most of the footnotes in the biographical film are "most of the film is artistic fiction, any similarities are purely coincidental". This film is no exception.
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