I like the collision of various elements. The Jewish father and son who played the trumpet finally made their entire pockets of euros before the concert opened. The uncle gypsy organized a band to temporarily hold dozens of fake passports at the airport, and they wandered around the world all day long. The violin played a smooth Paganini at random; the communist fighters who once led the band scattered on the streets brought the flag of the 1966 Moscow Congress to the Communist Party headquarters in Paris, and completed the "solemn" flag presentation by two people; What moved me was the conductor's loyal friend, the cellist, who came up with a gentle melody at an awkward moment when no one was rehearsing, "I am the worst in our orchestra, and they are all better than me, so the conductor said that only I had to rehearse."
What I hate is the arrogance that the conductor has hidden from the beginning to the end, as if saying "I know your destiny better than you", self-appreciating the infinite indulgence in sadness brings him all kinds of amorous feelings, so hypocritical. Young man isn't it? In the end, the hidden story was revealed in the concert, and the violin solo heroine finally shed tears on the shoulders of the conductor, making him a more inflated ego - the birth of a hero, isn't it?
From the beginning of the film, the Slav conductor became a cleaner of the theater because he protected the Jews in the orchestra, and finally the conductor led the entire orchestra to conquer France, and the Slavic YY reached its climax. In fact, the theme has nothing to do with Jews, nothing about Gypsies, do you feel it?
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