Huang Feihong is a character everyone is familiar with, and various versions have appeared on the screen. The Huang Feihong, but in my heart, the only Huang Feihong is Jie Ge. Huang Feihong, played by Brother Jie, is worried about the country and the people, saves the dying, is gentle and refined, has extraordinary skills, and is calm and steady, and under the influence of Thirteen Aunts, there is still a little courage to break through the feudal shackles and accept new things. Young and mature, but not sticking to the rules, gentle but not slaughtered by others, slow, shy, passive, but occasionally a little romantic in love, and also desperate for the person he loves...
I once saw an article that said "A real pornographic film" There are three essential elements in Feihong movies: one is Jie Ge starring, the other is director Tsui Hark, and the third is Guan Zhilin's thirteen aunts." Only the first three meet this condition, which is why I love the first three. Although "The Lion of the Western Regions" also has a scene with the beauty and Jie Ge, but the director was replaced by Sammo Hung. Even though the whole plot is quite exciting, I always feel that something is missing. The second and third elements in "Iron Chicken Fighting Centipede" They are all lacking. Watching it is only for Jie Ge and not for the plot. Therefore, three elements are indispensable.
Among all the emotional scenes of Brother Jie, my two favorite couples are Ah Zheng and Qian'er, Fei Hong and Shao Yun. Azheng and Qianer have been detailed before, here I want to mainly describe the relationship between Feihong and Shaoyun.
In the movie, the two met for the first time in a teahouse. Aunt Thirteen just came back from abroad, wearing a top hat and a dress, came to say hello to Feihong, Feihong habitually clasped her fists and was about to say hello, but was held by Aunt Thirteen. He explained that "foreigners' greeting is a handshake", and introduced his foreign friends to Feihong enthusiastically. Every time he sees Feihong's "teaching": "You want to say thank you in return", he blurts out "Double meat, buckle meat". "I would laugh out loud. There are many such "Chinglish" funny scenes in this series of films. The most impressive is the sentence "I love you" taught by Feihong in "The Lion King". This is the careful thought of a woman played by Aunt Thirteen. She wanted Feihong, who is not easy to express her feelings, to often express her love to herself, so she lied to him and said, "You can say this when you have anything to do with me", In the end, he didn't expect the simple Feihong to apply this sentence to everyone. When Ah Kuan and Huang Qiying had something to do with Aunt Thirteen and Feihong, the most memorable sentence came out of Feihong's mouth: "Shaoyun, you and Ah Kuan love tiger oil here, and my father and I go out to love tiger oil" haha Haha~ At this moment, I just want to use the word "stupid and cute" to describe the "cold" master Huang, Shaoyun's heart is broken~ When
it comes to the classic episodes, how can there be less shadow scenes? The shadow play runs through the first, second and third parts of the "Once Upon a Time" series, and is a line of emotional spread between Thirteen Aunts and Feihong. In the first part, Aunt Thirteen is full of joy and cautiously reaches out her hand to caress Feihong's shadow, revealing that she is eager to get close to the people she is thinking about day and night abroad, but she has scruples about the so-called "generation name"; In the second part, when Feihong taught the thirteen aunts to catch a hand, Shaoyun looked at the shadows of the two on the wall and imagined that he had a ballroom dance with his lover under the beautiful music; in the third part, Feihong was jealous and would not let Shaoyun touch it. His own shadow, but in the end, he was inevitably moved by Shaoyun's gentleness. Shaoyun finally got his wish and was embraced by the person he loved instead of wanting to love, not daring to love, or immersed in his own fantasy.
So Shaoyun and Feihong finally got married in the third part, which seems inevitable to me. The Thirteenth Aunt played by Guan Zhilin does not match Huang Feihong from a worldly point of view. The Thirteenth Aunt has extensive knowledge and progressive thinking, while Huang Feihong is traditional and prudent. Brother Jie even brought some shyness to this character. , and it is this difference that enhances the drama of the two people's emotions. On the one hand, Feihong is protecting Thirteenth Aunt, but in many aspects such as psychology, Thirteenth Aunt is taking care of Feihong. Therefore, from reunion to mutual acquaintance and then to falling in love, the two people talk about each other in a straightforward manner, without any traces of slow progress. When the love is strong, it will naturally follow.
But in the face of such a shy and passive lover in love, it is destined to be Shaoyun's initiative most of the time. In the first part, when Feihong asked Feihong about the reason for returning to China, she used "the person I want to see, but there is no one abroad", suggesting that you are the one she cares about day and night, Feihong; When his lover was about to say goodbye, Shaoyun finally revealed what he had kept in his heart for many years: "Feihong, I know you have always regarded me as your elder, but I treat you as the man in my heart." It can be said that this time After the confession, Feihong really mustered up the courage to face his feelings, and then began to try to change the old-fashioned senior name "Thirteen Aunt" to the unskilled but kind "Shao... Shaoyun"; In the third part, Shaoyun secretly kissed Feihong while the steam engine was spewing out steam. Every time I saw this scene, I couldn't help but feel so happy. Feihong and Shaoyun finally made up the relationship between Ah Zheng and Qian'er in that chaotic scene. The regret left by the lost night.
After Fei Hong was secretly kissed, his entire neck, ears and face turned red. No wonder the people present said, "Go get the scalding medicine, Master Huang was scalded by the steam engine". I believe this scene is the eternal memory of all Jie fans. Because of Jie Ge's shy temperament, he rarely takes kiss scenes, so after being secretly kissed by Guan Meiren, his instinctive ears and neck are all red (I still remember watching it on the post bar The matching phrase that arrived: What a Red Bull Jiege!)
However, Feihong is not completely passive. In the face of Shaoyun's love, Feihong also presents another side of "serious but humorous, not good at style and inevitably trapped in Shaoyun's gentle hometown". Just like in the third part, on the one hand, he was ashamed to confess to his father about his marriage with Shaoyun, and Shaoyun, who was eavesdropping outside the window, pointed and complained, "It's really a piece of wood!", on the other hand He mistakenly thought that Shaoyun had left, and he was very anxious, and after Shaoyun appeared, he finally stopped caring about the eyes of others. A woman with strong nerves, even the traditional father Feihong was moved by this scene to accept the love between Feihong and Shaoyun.
Of course, to make a beloved woman happy, creating romance is an essential means. Under the influence of Thirteen Aunts, Master Huang, who is usually serious, finally learned to occasionally create a little romance: In "The Lion in the Western Regions", Shaoyun asked him playfully, "coffee? tea? or me?" He replied innocently. Said "me? How do you drink it?" When Shaoyun complained that he had no sense of humor, he thoughtfully counted "A, B, C, D..." to "O", he took out A ring signaled Shaoyun "Do you like O? Don't say I have no sense of humor in the future"; in "The Lion King", he did not allow Shaoyun to take the ladder of the "rival" foreigner, but asked Shaoyun to hold himself tightly, With the help of the banner, Shaoyun arrived safely on the ground, and when he was in the air, he did not forget to smile happily at the "rival in love"...
Speaking of the "rival in love", here I want to focus on those clips where Feihong was jealous, the so-called hero is saddened by the beauty , Master Huang, who has always been extraordinary and calm, is not so modest, courteous, and generous in the face of the "rival in love" who has unreasonable thoughts on Shaoyun. The hero in our hearts is jealous and childish like a child, and in my opinion, this little temper does not harm the image of his generation of masters, but makes his image more real, and embellishes more for this series of movies. of fun.
To cut to the point, in the second part, Aunt Thirteen asked A Kuan for advice on how to catch him, but unexpectedly, A Kuan, who had a ghost in his heart, kept holding him and wouldn't let go. This scene happened to be seen by Feihong, who came in. He clearly overturned the vinegar jar in his heart, but he still scolded with a serious face, "Do you want you to teach?! Master can't teach?! Honorable and humble, go down! Take a half-hour horse"; Feihong's jealousy in the third part can be described most vividly. After seeing more of his heroic side, I think he is especially cute when he is childish. This is also the third part I watched the most. s reason. When he first met Du Wenqi, his "rival in love", Feihong shook hands with him kindly when he was puzzled. When he realized that the man in front of him had a crush on Shaoyun, he had a black line on his face. Mouth," Du Wenqi kissed Shaoyun's hand. "Hey! It's too unclean to put our mouths around. We Chinese people don't have the habit of touching our hands and feet." "We are more than friends, we are still relatives, right? Thirteenth Aunt?" It's subtle, anyway, we are very close relatives, how close we are, I'll tell you another day" Feihong, who had been touched the bottom line, was madly educating the foreign devils who were talking about his mouth. He was embarrassed to admit that he was Shaoyun's boyfriend but He turned the corner again and again to show his identity; when he was entangled by Ghost Foot Seven and saw that Shaoyun was about to "goat into the tiger's mouth", Feihong, who was in a hurry, ignored Ghost Foot Seven's move and went straight to Shaoyun's place to block Du Wenqi for Shaoyun. kiss. "Sorry, our custom is not to kiss a man's hand" At this time, Xiao Du was a little confused, "I'm sorry, Mr. Du, we Tang people never like to let people kiss our hands, both of us have been kissed by you, please don't make this mistake again in the future, this habit It's very bad, you know?!" Jealous and serious reasoning also made me drunk. Facing Shaoyun's concerns, Feihong stared at Du Wenqi absent-mindedly and jealously and said deliberately, "What is my kick? What I'm worried about is your hand, let others eat it", and then let Shaoyun get on the car alone and pay attention to Du Wenqi, who is ill-conceived. When Feihong got home and learned that the picture machine was given by Du Wenqi, his face changed greatly, his anger came from it, he jumped up and kicked the lamp hanging above the picture machine (I didn't see what it was, so let's do it for now). Describe it), although Feihong's anger was subsided this time after Shaoyun's appeasement and promise to "never see him again in the future", Du Wenqi did not fade out of his life with Shaoyun after that. One rainy night, Shaoyun asked Du Wenqi to help repair the steam engine, but was unexpectedly discovered by Feihong, "You promised me not to look for him in the future." Feihong, who couldn't bear it, finally couldn't hold back the raging anger in his heart and had a head-on dispute with Du Wenqi, "Since there is no way to avoid it. , everyone should not avoid it, whoever rules, depends on who can defeat this steam engine!” This sentence seems to me to be a pun, on the surface it is an answer to Du Wenqi that both China and Russia cannot avoid the trend of the industrial revolution to change the world. Above is a declaration of war to protect his love. (Since we can't avoid you, let's not avoid each of us, let's see who can get Shaoyun's heart in the end!)
After a few more nights, it seems that the reunion between Shaoyun and Feihong, ambiguity, confession, love, and the "emotional crisis" after the appearance of a "rival in love" are basically mentioned. The "Once Upon a Time" series is different from "Zhongnanhai Bodyguard", there are too many elements and backgrounds that can be expanded. For example, the appearance of Thirteen Aunts in the first film brought Western ideas to Feihong. Feihong initially disapproved but saw it with his own eyes in the stage. After realizing the power of foreign guns, he began to reflect on "fist and foot can't beat guns." At the end of the play, he put on a suit and took pictures, which well demonstrated Feihong's ideological change from resting on its laurels to being willing to accept advanced Western culture; Introducing the background of "revolution" and under the "patriotic" banner of "supporting the Qing Dynasty and destroying foreign countries", the "white lotus sect" of the so-called "justice teacher" is actually a mob that advocates theocracy, is ignorant, and brings disaster to the country and the people. The acquaintance of Lu Haodong and other advanced people once again opened up Feihong's mind, awakened the patriotic enthusiasm in his heart, and finally saw Sun Yat-sen open the broken blue sky and white sun flag that heralded China's future. "According to my soil, don't forget the blood of the martyrs on the ground." It made me even more excited and blood boiled; although the third part was slightly inferior to the first two in terms of concept and background, it did not compete with Feihong like the first two. such as Yan Zhendong, Nalan Yuanshu and other masters, but this does not affect my love for this one. As a perceptual science student, the kiss and the vinegar in "The Lion King" are enough to fascinate me~
The characters in the "Once Upon a Time" series are all unique in their own way. To play Huang Feihong so young and mature, a wise man has no desires, and a brave man has no fear. Brother Jie's pair of eyes are deep and clear, which is unique to a character who is calm and always has a child's heart. Almost every one of the many supporting roles in the "Once Upon a Time" series is worth talking about: Liang Kuan, who has a crush on his wife and his own laughing point, began to be arrogant and ignorant, and then gradually woke up to Ghost Foot Seven, loyal but mindless and impulsive The reckless Pork Rong, Yan Zhendong, who has a martial arts skill but has nowhere to play, is eager to make a name for himself, and Nalan Yuanshu, who is excellent in martial arts, loyal and courageous but can't help himself...
The foreign translation of "Once Upon a Time in China" is "Once Upon a Time in China". Under the background of internal and external troubles, it is destined that the entire film will be constantly intertwined with the contradictions between Chinese and foreigners, open-minded and conservative. The contradiction between the backward and the current, the contradiction between the bureaucracy and the masses... When each element is opposed, intertwined, and rubbed, when the life and death of an individual merge with the survival of the nation and the nation, standing at the crossroads of the collision of Chinese and Western civilizations, it is a retreat. Still moving forward, or not moving forward?
It's a bit too far. As mentioned above, the "Once Upon a Time" series has too many elements that can be tapped, and there is no talent or energy to cover everything. Here I mainly focus on the relationship between Feihong and Shaoyun, and I will not elaborate on the rest. Finally finished! A classic for a generation - Jie Ge's "Once Upon a Time" series.
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