A grudge has nothing to do with hatred, it stems from pain.
This sentence is thrown at the beginning of the film, stemming from pain, controversy, unrelenting pursuit in Vanity Fair, and pressure from the environment.
Two twilight actresses still want to perform. I didn't understand why they didn't retire at such a time. Maybe "retiring" is an ideal state, but after a long time, I began to understand this kind of thing very well. The mentality of wanting to chase your dreams and immersing yourself in what you do best, after all, even if your dreams fly into the flames, that is your choice.
There are several memorable scenes in the play:
1. Bob's female assistant wanted to film and asked Joan to play the role, but Joan refused, she said that she could not stand the play of an inexperienced young director in her final stage. I understand that after her years of experience, her acting skills are worthy of better scripts and roles. However, no one wants to reuse her. At that moment, her meanness has a kind of "Lian Po is old and can't afford to eat." "The tragic.
2. During the few minutes of Banana's role, she said that people in Hollywood should be shown what they have turned into Joan. In that episode, Joan and Betty, perhaps for their own fame or their own limelight, were extremely entertaining to watch the battle in Hollywood. There are no guns, only words and performances, but they use proud and lonely expressions to convey their mood and the deep meaning of what Sister Banana said. Perhaps Hollywood is the starting point and driving force of their feud.
3. The scene at the end of the season, Joan dreamed of the scene with Heda, Jack, and Betty (perhaps it was just her own imagination), in just a few minutes, the torrent of the times rolled by, by writing gossip to eat readers Heda, Jack who is chasing capital and money, and "confessed" Betty, Jack's sentence "but I just can't say it (sorry)" is very interesting, Betty and Joan want to shake hands and make peace with more deep regret, the camera cuts On the first day of their filming of Lan Gui's Shocking Change, they actually had the opportunity to be friends. They were only driven by each other, by public opinion, and by those invisible and hidden hands, living off hatred in that flashy era. If at the beginning, just where there are so many if at the beginning.
I have been thinking, perhaps the story of the old enemy has been staged all the time, and it is the people and stories that change. Maybe this story is not in Vanity Fair, but in a more detailed place, infiltrating our lives. What doesn't change is time. Maybe only time can finally see through or let us see through, but how much time does the calm after the waves take?
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