Starting from Toweng, the image in the film is tall and mighty, with silver beard and white robe. When you look at it from a distance, he looks like a saint, three parts like Tagore and four parts like Jehovah. For someone like me with a wide nose, thick lips, and small gray eyes, there is no happiness in the world waiting for him. In his later years, Gorky described his appearance: thin and gray-haired. The director seems to ignore this fact and try his best to give Towon a born appearance, but he can only make the protagonist detached from the whole film.
In contrast, Sophia, the heroine, Mrs. Toon, is real and powerful. She makes a big fight every ten minutes and commits suicide every half an hour. I once had a purely fictional impression that Toon's wife should be the butcher's daughter, otherwise he couldn't be so hysterical. After watching Somerset Maugham's "Masters and Masterpieces", Tolstoy was always at home, and it turned out that his wife was born in a famous family, and his father was a physician who was well-known in the upper class, which made people quite surprised. The most unacceptable part of the film is that all Sophia's anger and quarrels are attributed to love, which is a bit like giving a slap to a candy. Obviously the director and the original author both believe in such a love, that is: how can you see a rainbow without experiencing wind and rain? This kind of wind and rain is a mutual torture type of wind and rain. They believe that love can be sublimated in quarrels and quarrels again and again, and finally Toon's death in Sophia's arms is a proof.
I can't understand the love, that's the main reason for not liking the film. An elderly man was asked by his wife, like a bomber, not to donate his property every day. Even if he had left a manor for her and the children, the latter still didn't want to let him go. The reason? Because love, I love you, you have to give me everything, otherwise I will be entangled with you.
How can a man who writes for mankind beg such a wife? How can he be soothed? On such a basis, anyone who overturns the case for Sophia is digging the horns. Besides, according to Somerset Maugham, Mrs. is not a fuel-efficient lamp, and at the age of 52, she once fell madly in love with a young composer, which made Toon annoyed, and wrote a letter saying that she wanted to fly away.
Eating a hen's egg, then visiting the hen, and deifying the hen into a phoenix is the most disgusting place of all biographers. On this basis, I sincerely recommend Maugham's Reading Essays, at least he politely restores the truth of many writers.
In addition to the idea of the film, the bad layout is the rhythm. The reason why Tolstoy is Tolstoy, an epic existence, is not because of his moral value, but because there are only two Tolstoy and Cao Xueqin in this world, and only they have the means to make a big stroke, The figures are vividly displayed on the paper, and the transformations come and go without a trace, and they naturally become a world. From this point of view, this film, like a tribute to Tolstoy, did not learn the essence of Town, the inexplicable secretary role, the inexplicable secretary messing with women, all seem superfluous, boring and tedious, is it highlighting a kind of This kind of intention: These men and women in this world need to be directed by Toon before they can live clearly?
Oh, no, Toon, who died at the inexplicable station, was also living in a miserable state.
View more about The Last Station reviews
