Of course, this method is not uncommon in British and American films. I am just very concerned about how the Russians see the British writing their films. What deserves admiration is that they do not unilaterally express a single emotion of a certain character with too much affection. Among them, five main The characters are all portrayed as contradictory bodies, which poses a certain difficulty for the narrative of the film, but the smooth script and transitions make everything natural.
Valentin Bulgakov, played by James McAvoy, is a bystander and implicit promoter of the whole event, while he also suffers from self-doubt to self-awareness.
Sofya Tolstoy, played by Helen Mirren, is one of the most complex characters, as a wife and a co-owner (in fact) of Tolstoy's copyright in her inner self-knowledge , A role like her is not completely positive, but in today's society, she has the opportunity to be put in order. However, the film does not have a particularly biased praise, but only uses an objective perspective to show its emotional but deep emotional expression.
Christopher Plummer's role as Toweng doesn't have much, but it also shows the non-deified side of the great man before his death.
The other supporting casts, Masha, Sasha Tolstoy, and Vladimir Chertkov, are all equally plump, all struggling between their beliefs and their humanity.
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