Can I say that I fell in love with this movie after watching it for a minute?
So far, I have said that "The Gift of Room 7" should be called the first tearjerker of the year. Can you refute which movie is better than that? It is suitable for all ages, big and small, no matter what social class you are in, it has nothing to do with the reserve of money or the capacity of the knowledge base. In short, as long as it is a mortal, then you can harvest or flood or touch the touch. Under normal circumstances, I would not express a very clear dislike and liking for a movie, nor would I hold a war of words against the opposite views because of everyone's different aesthetic starting points and values, but in "No. 7" In front of "The Gift of the Room", if someone insists on deliberately saying that they don't like or even hate this movie, that person's restraint may be gone. This is the same as someone pointing at the nose and saying to me, "Little Times" is so good-looking and Guo Jingming is so awesome. Words are all clouds, only bricks are real.
I really don’t want to mention how great Korean films are today. Isn’t the box office of our domestic films overwhelmed by imported films in the first half of this year? It’s a once-in-a-century record that seems to be something to be proud of. Could it be that domestic films are really rising? Don't look at anything, just pull out the detailed list of theatrical lines and compare them, and you will know what it means to avoid its edge-type pressure and what it means to compete for a relative confrontation. Since the year before last, Korean local films have created one after another miracle of head-on Hollywood blockbusters. Judging from the number of moviegoers launched in the first week, this year has won a big victory. This achievement did not depend on the hide-and-seek-like shifting of the schedule at all, but was proved by the momentum of an egg hitting a stone, how much material was shaken out, and the audience's eyes were sharp.
"The Gift of Room 7" follows a similar route to the Hollywood classic "I Am Sam" many years ago. The same mentally retarded father and the same lovely daughter, the two of them are holding hands, and they are both painful and happy in the pursuit of happiness. However, the Koreans interpreted this story with a strong warmth and inspiration in a very realistic way, which made it bear a completely unbearable weight. This makes the focus of the whole story more stable and tough, and also more heart-wrenching. Who could have imagined that this uncle with a crooked mouth, a stupid face, and a negligible IQ is the nanny killer in "Everything About My Wife" who has fascinated so many young women regardless of country, skin color, race, or age? Liu Chenglong's superb performance makes the image of silly father three-dimensional and plump, and his demeanor, wording, and demeanor are all closely related to the expression and explosion of emotion. How to interpret the soul of a mentally handicapped person. He went to work every day, and he had to rely on his daughter to help fix the trousers. The immature exhortation of his milk voice and milk left a deep imprint on his spiritual world. The monthly salary, although I remember the date and amount, is still managed by my daughter, so as to maintain the daily expenses and operation of the family. In this home, one is a man who is about to run for the fourth year, and the other is a little girl who just turned 6 years old. Together, the two of them hold up the eaves firmly. It is hard, sad, and hardship... and so on, is there? The answer was already written on their faces.
I have always liked movies with prisons as scenes. Prisons are a physical medium. They are not only a microcosm of the real world, but also have different and unique landscapes. Korean prisons are not as cramped and hazy as American prisons. If you don’t go through a lot of trials, it is impossible to have sunshine. This No. 7 room naturally refers to the prison cell. The film has taken the experience that should have been in one stroke. The main function of several inmates is still to spread positive energy, make jokes and jokes, and the light jokes of various tricks have poured a lot of sweat into the tone of the film. . It is said that a prison cell is a closed and ultimate place other than a coffin, a place where people’s body and mind are shackled, but through the presentation of a series of bridges, it is the prison cell that gives people the power to truly pursue freedom and release their innermost emotions. Silly Dad pointed at the group of inmates from the beginning and said, these are all bad guys. The extreme irony is that the line between the so-called bad guys and the so-called good guys is just reversed. These were originally the remnants of society. Under the guidance of the stupid father and the good daughter, they saw the positive side of the world, and their life style took on a new look. But this price is too painful. The sacrifice of an innocent life reveals the dark side of the Korean social legal system. The pure and kind tears have all turned into helpless wailing.
The film crying and making trouble can be regarded as the spiritual journey of a silly father and a good daughter spreading "love". This "love" is very special. The "gift" in the title is a big gift from the head of the prison to silly dad, and the other is the "love" they gave to everyone. Even after being sentenced to death, silly dad kept saying "thank you" for this and "thank you" for that. He's stupid, really, he just knows how to give endless love, but he doesn't know that not everyone deserves it. But it is precisely this stupidity that makes everyone except the police chief feel this stupid "love". The director's handling of the police chief is single and paranoid. I admit that this is more effective for sensationalism, but it is not so smooth to scrutinize. The only flaw in the whole film is also here.
The flying colorful balloon became the last beautiful freeze-frame picture of the silly father and the good daughter. The rope is lightly hooked by the barbed wire, a metaphor for the moment when even the most gorgeous and flashy dream is caught by reality. How to choose at this time? Most people basically choose to struggle, even if they work in vain, they have to use their last strength. But the stupid father and the good daughter chose to quietly enjoy this hard-won and precious moment of stay, without thinking about anything or knowing what to think about, just watching the sunset with contentment and contentment. , Birds homing. The real freedom is the freedom of the heart, let go of your heart and let it fly. I noticed that the director used the same technique for the opening and closing credits. I don't know if the inspiration came from "Flying House", but it is certain that it has been sublimated anyway.
The cuteness and intelligence of the good daughter is destined to be the most attractive to the audience. Her real age is only 7 years old, which is the same age as Dakota Fanning when she played "I Am Sam". Judging from the strength of acting alone, due to the many crying scenes, Ge Suyuan's skills and outbreaks are slightly better. With a slightly fleshy face, two tears fell from it, and the entire "career line" looked very clear.
I feel that there should be a lot of various film and television academies in our country, right? There are thousands of film and television talents exported every year, right? But, but, but... where did everyone go? Just like this, I often use a certain film to break through the billion mark for self-painting. Do I really think this is putting money on the face? As everyone knows, it's all flying!
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