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eclipse
Eloisa 2022-04-20 09:02:11
There are enough intentional or unintentional depictions of the interior and exterior of the building in this film to impress me, such as the street lights that appear many times, the close-up of the corners of the building, and the simple and beautiful interior wallpapers. uniquely sensitive. From beginning to end, there are few close-ups of people's faces, and most of them are medium shots. They deliberately express the spatial relationship between people and people and between people and scenery. Almost every shot gives the surrounding environment an opportunity to 'express itself', as if this is not just a film about human relationships, the surrounding buildings, cars, street lights, trees, signal towers. . . Wait, the shots given by Antonioni again and again seem to be part of the story, and there are more empty shots in the back of the film. In fact, this film is not intended to tell any complicated stories. My understanding is to express infinite space. Time and increasingly complex interpersonal relationships are slowly consuming people.
Extended Reading
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Neva 2022-04-22 07:01:45
I feel this way every time I sit in the library...Is the heroine in a light and mature style? ? Sexy yet pure, elegant yet cute, the legendary Alain Delon looks like this~ Compared with the previous Italian movie, every country in modern society is really impetuous
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Luciano 2022-04-24 07:01:18
Every frame of the empty mirror is a work of art/Monica's Cos/She walks through various streets, the space is twisted and transformed, the sound of high heels is crisp, or alone or loud, the constant alienation and loneliness/Kissing through glass, gauze curtain Hugs under cover/Long and terrifying stock portraits, industrial worries and honest nostalgia/A few plays where Monica opens the curtains/I wish I didn't love you or love you more/Instant pleasure Boundless nothingness #SS73
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Piero: What are you writing?
Vittoria: I'm translating some Spanish.
Piero: How do you say "I want to come up" in Spanish?
Vittoria: You say, "You can't". Tough language, isn't it?
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Vittoria: What did you do last night?
Piero: I had dinner with seven or eight billion lira.
Vittoria: Or was it a call girl?
Piero: Who has time to go out with call girls? I'm the call girl.