Subtitle: Psychoanalysis and Feminism, Eve's Neurosis and Villanell's Oral Period
We must know that there is not only one "perversion" in this play.
Naturally, Villanell needn't say. I have not seen such a typical oral personality elsewhere. Freud believes that premature weaning of babies will cause them to become particularly obsessed with lip activities in their growing life, in order to compensate for their lack of satisfaction in the depths of memory. The lack of maternal love on the one hand makes Villanell have an Oedipus complex, on the other hand it makes her indulge in childlike lip pleasure.
chew. Either you are eating or you are making it. It's nothing more than delicious. Smell it disgustingly and continue eating. (I really like to see girls eating so solidly)
kiss. The action of Villanell is worse than sucking. Although it was very funny immediately, she was really gentle and intoxicated like a baby at that moment.
Licking lips. Before killing Frank, before kissing Eve, before doing big things, you have to subconsciously add your lips. This is a very naive and animalistic action; it shows a return to primitiveness and instinct in front of the behavior that most stimulates her.
Swallow. Licking lips when excited, swallowing when nervous. Villanell's swallowing was different from the calm and unrelenting turbulence of the Adam's apple that he had seen before, but rather exaggerated, difficult, and even vomiting.
Pouting. After the murder, pouting bored, sadly in front of Eve, and grotesquely in front of Constantine; Ms. Wei will show you what I am just a small sausage.
laughing out loud. It is very magical to learn and sell now.
Bite. Oh My God.
Express. Feel the vocabulary of Ms. Wei, who is proficient in European languages: nice face; nice body; pretty nose; and after Eve's textbook-level delicate and touching confession, the response turned out to be just too. (The same is true for me.
The oral period is the first period of sexual psychology. It is the most naive personality. It can only imitate but not empathize; there is only libido, no emotions; only sex, no love. Neither Anna nor Constantine was able to teach her love.
Villanell is psychosis in the biological sense, while Eve is neurosis in the social sense.
What we generally call psychoanalysis only refers to Freudism. Freud is obsessed with biology. Neo-Freudism goes further on the road of culture and society on the basis of the former. One of Freud's most embarrassing flaws lies in his neglect of women's studies. Sometimes when it comes to women, it is basically nonsense.
When Eve’s desk is full of women’s crime studies books like when women kill, I can’t help but imagine that screenwriter Phoebe’s creative desk is also full of Karen Horney’s Neurotic Personality in Our Time and "Female Psychology" is a representative monograph on psychoanalysis of women in cultures such as "Female Psychology".
One view: Eve represents the superego, and Villanell represents the id. However, I think that using this theory to mechanically correspond to the two heroines will make a rich image fall into a symbolic situation.
When talking about "neurosis", Horney cited a case in which the employee put forward a good suggestion, and the boss ignored it. Then, without the employee’s knowledge, the boss adopted another which seemed obviously inferior. At this time, if the employee is a normal person, his coping strategy is to struggle with reason, or to find a realistic reason for himself, and if he is only tired, exhausted, and suspicious, then he will fall into neurotic anxiety . Isn't this Eve from the first episode?
To put it simply, take care of other people's ideas, restrain one's own needs, restrain one's expression of wishes and requirements; be too deeply affected by mandatory standards, and lose the ability to decide one's own direction. This is especially the spiritual situation common to women in social relationships.
She has deviated from the environmental model and cultural model she is in, and there is a gap and disconnection between her potential qualities and the actual achievements in her life.
Eve failed to have sex twice, and as soon as the camera turned, Villanell slept with two people once.
Eve is not free, her problem is I can't express myself. On the other hand, Villanell was overly free, and the state of having nothing to wait and depend on and entangled also restricted her. After completing the assassination mission in Bulgaria, she sat down in a chair and turned around boredly. Go; her problem is I can't feel things.
Things changed completely on the last knife. And all the efforts of the plot before are a kind of magnetic force that pushes the two into this room and the knife. Therefore, instead of statically saying that one is the id and the other is the superego, it is better to say that it is a dynamic process in which both of them are moving from the false self to the true self.
(You can't.) I can. When this sentence came out of Eve's mouth, she killed the former Eve who was being carried away at any time, and fell into the mediocre and repressed Eve. I really liked you, it hurts. When this sentence was uttered from Villanell, Eve also killed the previous pick-up girl, who was ruthless after flirting with the guy; and just before that knife, Wei Lanel is still equating think about you with masturbate about you.
it hurts... No one could teach Villanell to love before, now Eve has done it. Because, what love is, love is pain.
For our inner conflicts and anxiety, the difficulties and obstacles in life, and the treatment of illnesses——
Freud is a pessimist. He believes that people are destined to suffer and be destroyed, and the instinct to force people to act can only be controlled and at best "sublimated."
Horney is an optimist. People have both requirements and the ability to develop their potential and make themselves better; as long as they live, they can constantly change themselves. The method is through intense self-analysis.
The screenwriter of "Kill Eve" is a romantic. When they met each other, they changed.
It is on this level that I feel that the stabbing scene is the sexiest and most romantic sex scene I have ever seen.
It is the supreme salvation.
The crime was solved, friends, this bloody thriller with swords, guns and sticks flying together is actually a real cure.
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