related and thought

Jalyn 2022-04-20 09:02:53

about writing

  1. Should great novelists abandon their flamboyant rhetoric and imagination, and cut out the essence?
  2. Writers keep asking themselves questions whether their work will be discussed in a decade, if not decades, and why Gatsby only earns a few bucks.
  3. Suggestions for book titles

On the relationship between editors and writers

  1. Should the editor's suggestion be taken, or should the work remain authentic?
  2. The editor panics that the writer is full-fledged and leaves. (Crisis awareness, and the contradiction of incognito, the editor is reluctant to disclose his identity)
  3. Editors and writers work as husband and wife for years, revising work together until exhaustion.
  4. A small note of thanks at the last printing moment.
  5. Good news on long distance calls.
  6. When did you learn to love your wife, stop writing, stop writing, you're still a kid, and you'll write something like Gatsby's, that will last forever.
  7. Feel the atmosphere of the black jazz tavern, and you can better experience the atmosphere of immersion and experience. 'Mutual' nurtured relationship, Perkins' appreciation for Wolfe, and Wolfe's heightened interest in P.

"Give the most sincere support and encouragement as a book editor, psychoanalyst, love advice, marriage counselor, career management, financial lending, etc. He is the author's "faithful companion","

"If the relationship between editor and author is simply described as a basic relationship, it seems to be too simple and a little thin compared to the friendship of cherishing each other.

"Some people say that a truly painstaking and brilliant work has only two readers at most, one is the author himself, and the other is another "author". This "author" is in perfect harmony with you both technically and artistically. Mentally and emotionally alike, Perkins and Wolfe are one of those Birkins-like soulmates.”

"I love you" shouted loudly and difficult to control. Many people think that the relationship between these two people is about to be broken. In this era of corrupt culture, I can only keep my last point Old school, I've always insisted that human relationships transcend gender."

"6) People can be so different from each other, making people compassionate.

Effects of Invisible Editing:

  1. The subtle influence of his wife on his works.

On the narrative technique of the biographical film:

  1. Show the details of the work through the details of life, and its characteristics? Compilation of fan-oriented brain supplements, excessive interpretation of the characters' lives. It's actually an intrusive, preconceived approach to filmmaking.
  2. Directly join the work as the material of the video.

About the writer's self-breakthrough (genius direction extension)

  1. Afraid to be the next work is not a shocking work
  2. There are different types of writers, some have finished writing a world-shattering work, and then stop writing, (the progress follows the progress of their own experience of life), some are tired of everything, restricted by the genre, and only by focusing on the spirit can they write one or two Words (Gatsby)

A few plays:

Black Jazz Tavern Experience Life? ?

Rooftop reveals his love for novels and literature, and a sincere desire for life

Insights:

Who is the genius?

Who is worthy of the word "big writer"?

Those who are constantly in the office, pub, station, constantly walking, chatting, and constantly modifying each paragraph are the bridges that I love the most. Maybe what I like is the walking scene.

The end of 2-30 in the United States, the era of the Great Depression in the United States. The contemporary Ruan Lingyu, a new revolutionary trend in film content.

The sense of time of the movie, insensitive? ?

The lightness of the drama director's restraint.

Why choose Wolfe over Fitzgerald, or Hemingway?

"Will he also ask you to delete so many words?"

View more about Genius reviews

Extended Reading

Genius quotes

  • Maxwell Evarts Perkins: [looking at the three cates containing the manuscript of Thomas Wolfe's new book] This - is Of Time and the River? Well done. Now go home and get some sleep.

    Thomas Wolfe: I... I...

    Maxwell Evarts Perkins: Let me read it.

    Thomas Wolfe: Read it kindly. Please.

  • Thomas Wolfe: I'm sorry I'm not decent enough for your fine dinner parties and your fine friends, but before you drag me out to the wood shed, I think you ought to look at who is giving the lesson. Am I supposed to grow up like you?

    Maxwell Evarts Perkins: No, Tom, but you're supposed to grow up.

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