I just hope not to miss myself

Verlie 2022-03-28 09:01:10

After watching "American Factory", it's very magical to watch this; human beings are imagining a world after robots completely replace labor, but they don't really think about themselves that machines, as an absolutely fair and absolutely ruthless existence, have already become the exoskeleton of labor - the courier's The punch card device and the son's mobile phone are the two extremes of being controlled by a machine and created by a machine; I firmly believe that street art still has the power to penetrate capital. .

Jamey 2022-01-16 08:02:11

In a sense, Ken Roach has always been an embarrassing existence. Realism as an art genre was sentenced to death as a capitalist ventriloquism decades ago, but on the other hand, Ken Roach’s Each work instilled his care for the bottom people and his criticism of capitalism. It is under such a strong humanity that "Sorry We Missed You" has a more complex text than "I Am Blake", and it is also more penetrating and impactful. Not only does it depict the more embarrassing and chaotic situation in which families at the bottom have become more embarrassed and chaotic after owning a truck (the production material provided by the capitalist to the laborers) through the fading out of the black field and the distinctly structured melodrama. The fine stitching of "Complete the reference to the pervasive modern capitalism (advertising, big data...) penetration and corrosion, and finally complete the end with the laborers being completely fixed by capital, and also (very consistently) in the film The focus on family and community crises is integrated as an aid to the main plot. I don’t particularly like the "outdated" Ken Roach, but he is really a good director