Sorry

Teagan 2022-04-19 09:02:43

Is Ken Lodge a master of realism? Is this film another classic reality master work? Saying this movie is romantic is because we have clearly seen hope. The male protagonist, who has changed many occupations, finds a job he "seems" likes, and is gearing up for it, as if he is ready to go all out to break through the shackles of class. To say that this film is bleak and tragic, is it because we still have doubts in our hearts, does hope really exist? Is it "work for yourself" or "work for the capitalist", the male protagonist's long-cherished hope, after all, doesn't he want to work for others? Ken Loach is worthy of being a master of realism, turning so-called "romance" into "living" irony. This film is also realistically hopeless. Speaking of which, I was reminded of last year's hit "joker". After all, in terms of conception, both films were designed to reflect the pity of the people at the bottom. I unconsciously compared the two films. What is the difference between "joker" and "sorry, we missed you"? What is the difference between Arthur and Ricky? Should the tragic fate of the two be blamed on Arthur and Ricky themselves, or should they go to the evil capitalism to settle accounts? I'm afraid it's "a slap in the face." The decadence and depravity of human nature, the selfishness and indifference of the external environment, all together, they beat the once smug new young people into greasy, self-pity and self-pity poor people. Some people say that "joker" is a realistic reflection of the degenerate history of the proletariat. Compared with it, "sorry, we missed you" seems to have a hint of romanticism. After all, at the end of the film, Ricky finally chose to continue working. Maybe in six months, the Ricky family will really earn enough money to buy Abby a new car, to support his son to continue his studies, to raise his little daughter to grow up... The face of a capitalist is ugly, but Don't give up hope of a job for fear of being exploited. I hope this is what the ending of the film is meant to convey.

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Extended Reading

Sorry We Missed You quotes

  • Abbie Turner: This is my family, and I'm telling you now, nobody messes with my family.

  • Ricky: I don't know what's got into you, I really don't. You're a smart kid just like Liza. You used to be in all the top sets. What is going on? Just give yourself some choices mate.

    Abbie Turner: Seb?

    Seb: Hmm-mm?

    Abbie Turner: We've talked about this. You could go to uni.

    Seb: Go to uni? What, and be like Harpoon's brother? £57 grand in debt and what? Working in a call centre now, getting smashed every weekend just to forget his problems. Of course.

    Ricky: Yeah, but it doesn't have to be like that does it? There's some good jobs out there.

    Seb: Good jobs? What good jobs?

    Ricky: Well there is if you just knuckle down. Give yourself some options. Otherwise you're just going to end up like...

    Seb: What, like you?

    Ricky: Oh fucking nice!

    Abbie Turner: Seb...

    Seb: Do you really think I want that? Really?

    Ricky: Yeah...

    Seb: Well yeah of course I do don't I? I want to be like you.

    Ricky: Yeah, going from shit job to shit job, working 14 hours a day, having to put up with everyone else's shit. Going from one shit job to another shit job. You're just going to end up a skivvy.

    Seb: A skivvy? It's your choice to be a skivvy isn't it? A skivvy doesn't come to, you, you go to it - right?

    Ricky: I'm doing my best Seb.

    Seb: Maybe your best isn't good enough, is it?