How can it be so sturdy, it will scare the little friends who are interested in the film career in the future, if they feel that if they don't have extraordinary talent, they can squat wherever they are cool.
Kang Yong said that Truffaut made "The Four Hundred Blows" before I was born. I guess his subtext is, where is there any hope of breakthrough.
I have seen "Hanawa" and "That Summer, The Sea of Tranquility" before. Together with this, they are both very unremarkable films of Takeshi Kitano, and they are all subversive works that people want to play with their own breakthroughs.
It will feel boring at first, but gradually feel beautiful, and when you are about to lose patience, you will suddenly orgasm.
Remember to watch "Spark" in the special classroom of Baoshan Four Teachers' directors, the film screening at 6 o'clock every day, a few people are scattered, and there is an unfinished dinner. When it was over, I was completely in the play, exclaiming how there is such a cool and romantic man!
PS I really miss the time when I was full of enthusiasm and worship for movies when I first entered the university. Sijiao and J Building, everyone watched the movie together, which was the first experience of beauty, violence, sex and art. It was only later that I realized that the biggest difference between a person watching a movie on a laptop and a group of people watching a movie on the screen is called "sense of ritual". From then on, I have a devout and admirable attitude towards movies (those garbage is not listed here). I hate people watching movies and talking on the phone. When there is a minor attack, Da Gu stops him. From this, I think this bloody man is depraved and sophisticated. Neither good nor bad.
"Kiujiro's Summer" is about a middle-aged monster leading a small monster on the road of 3,000 search for his mother. On the way, he encounters a lot of monsters, and there is an unreasonable and tender intersection, each of which is comforted and inspired. I like the little monster cards in it. They look like Nobi in "Drabocat". At first glance, I know that they are not the children of a happy family. His expressionless face was blank, lonely and silent, but the thought of looking for his mother made him persistent and full of courage. What touched him most was that he ran to buy medicine for the old monster card who was beaten by the group, and knocked on the closed door of the pharmacy just like that. The emotional development of the old monster card is very non-mainstream. The old monster card leads the fart boy to fool and kidnap and play hooligans. The most sensational is just the seaside monster card running up to hold the old monster card's hand, but no one will doubt that share Sincerity and mutual salvation will forever permeate this summer's new green. The ending is very clean and neat, we parted at the starting point, without tears, just a thank you. The little monster card asked the old monster card, what is your name. The old monster said, "Damn, it's Kikujiro!"
So far, what I know of Takeshi Kitano is not known for the beauty of violence, the creation of "aesthetics of cutting down", an unavoidable name in the chapter of "Aesthetics of Violence".
A face with a deranged face due to a drunken car accident, the dick is going to die, the lonely one is going to die, the sturdy one is going to die, it's awesome!
Dropped out of school because of the thought of "If I die now, I have never done anything I like"; cut out the scene of the actor who is "director, I think that's better"; brought a group of people to get rid of the magazine that slandered him; There was a mother who kept asking him for money and handing it over to a passbook when he died...
Hey, it's really fascinating...
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