He shoots with love and attachment

Vilma 2022-10-08 10:29:54

First-class script, first-class work ideological height, first-class photography composition, first-class actors, first-class portrayal, plus a first-class face.

This is "Breakthrough Venice"

I feel that Bern Anderson is shooting with love.

I tried to put myself in the shoes of a father who abandoned his wife and left home at the age of five, and a mother who committed suicide when she was 10 because of the burden of life. The boy who was used by his stepfather as a fuel bottle grew up in fear.

Such an environment lacking love and security gives a very mature look at a young age. This adds the finishing touch to "Soulbroken Venice", the mature acting skills of the teenager, not a beautiful vase face that cannot convey feelings.

It is also worth thinking about how Bourne looks at the actor who plays his opponent.

Of course, he is definitely not gay, but I think he replaced the two feelings. In the script, the male protagonist loves him beyond gender, but in fact, Bern Anderson should regard the actor as his father. Bar. The death of her mother has become a fact, but there is still hope for her relatives in this world, and a father who has not been heard from.

The male protagonist has a kind temperament. I always feel that when Bourne looks at him, this look is like watching his father love him. This is the soul of the movie

I can't bear to end the movie, at least in the movie, he has a mother, a family, a servant who loves him, three younger sisters, and someone who loves and protects him.

The movie is over, back to reality, beautiful but unprotected, only to be bullied.

Don't forget that his number one ideal is music. I hope you will be safe and happy in the future.

View more about Death in Venice reviews

Extended Reading

Death in Venice quotes

  • Gustav von Aschenbach: I remember we had one of these in my father's house. The aperture through which the sand runs is so tiny that... that first it seems as if the level in the upper glass never changes. To our eyes it appears that the sand runs out only... only at the end... and until it does, it's not worth thinking about... 'til the last moment... when there's no more time left to think about it.

  • Gustav von Aschenbach: You know sometimes I think that artists are rather like hunters aiming in the dark. They don't know what their target is, and they don't know if they've hit it. But you can't expect life to illuminate the target and steady your aim. The creation of beauty and purity is a spiritual act.

    Alfred: No Gustav, no. Beauty belongs to the senses. Only to the senses.