"You've never been young, so you've always been young." I think the male protagonist is me, the difference is that I know myself well or cause all kinds of calamities, so I never let everything happen. I don't want anyone to break into my life, and I don't want to break into anyone's... I want a lot of unloving relationships, and once I start to fall in love with someone, I feel humble and not free, and I feel like I'm not good to anyone , is not worthy of himself. Strong and silent, this is my greatest expectation for a male character, but the male protagonist's gentle and honest appearance, the perverted roughness in his bones, together with the family class he wants to get rid of, is fatal. In fact, love should be a matter of one person. Once it becomes two people, or three people, or even more people, your world will be too full, and love will be in deficit. I like the part of sex research, which is most of the sex from a female perspective. It is not manic and mechanical, but deconstructs every inch of skin and hair on the other side and takes it for itself. It turns out that things like love can also happen to men under the traction of sex, although they are fleeting. Others say that the hug with all one’s strength is a deep love, a complicated love, but I don’t agree with it. The person who has loved deeply is watching from the side, smiling stunned and relieved, and then “strong and strong. Silently" pushed the door and walked away. What struck me the most was at the end. There is one detail I particularly like: the ending song. After the long and melodious female voice, the last ending was drowned out in the last two seconds by the wonderfully vague sounds of Istanbul's streets and alleys. It seems that all love and interpersonal relationships will be overwhelmed by the metropolis of life. Those that are important are all insignificant, and everything in life is always too light.
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