Anyone who has watched "Air Rescue" knows the ending

Carrie 2022-10-17 11:50:56

emmmmm, the plot of "Commuter Rescue" is very similar to the plot of "Air Rescue", although they are all starring the same person, and they are all going to save people in an extreme environment. The male protagonist in "Air Rescue" is someone who only wants to save people without worry. The male protagonist of "Commuter Rescue" wants to say: I still have children and a wife, and I can't let them be in danger. But I want to save people, so I feel that "Commuter Rescue" is not inferior to "Air Rescue" at this point. In "Air Rescue", half of the plane took off, it was announced that the male protagonist was the hijacker, emmmmmmm. As a result, there was no desire to see behind, because it is not necessary to guess that the male protagonist used his own aura to wash away his crime. "Commuter Rescue" was only reported when the train car flew out, and no one thought that the policeman most trusted by the male protagonist was the one who wanted to harm him. So I have more desire to watch "Commuter Rescue". Let’s talk about the villain’s method of death. The first villain of "Air Rescue" died from the male protagonist’s pistol, and the second one died from the bomb. These are the common methods of death of some villains in many movies. The male protagonist of "Commuter Rescue" grabbed the villain's stuff (Is it a thermal sensor, I don’t know), and then the police outside shot him, thinking that because of the thing, he was not killed, and killed the villain. emmmmm, I am very happy to watch this passage, but this method of death is really rarely used in other dramas, so I find it very unexpected and exciting. (Actually, I still want to vomit a lot of details, but I don’t have time. If I have time, I can add them one by one). . .

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Extended Reading

The Commuter quotes

  • Michael MacCauley: So, I heard something earlier today, a hypothetical question.

    Tony: Uh-huh. What was the question?

    Michael MacCauley: What if someone asked you to do one little thing, something that's meaningless to you, but would affect another passenger on this train? Would you do it?

    Tony: I don't know. What's in it for me?

    Michael MacCauley: $100,000.

    Tony: Absolutely!

    Michael MacCauley: You don't even know what it is.

    Tony: It doesn't matter. Come on.

    Jackson: So, what is that one little thing?

    Michael MacCauley: A passenger on this train doesn't belong. They're carrying a bag, but you don't know what it looks like. All you have to do is find them before they get off.

    Tony: That's it? It's not much to go on, Mike.

    Michael MacCauley: Tell me about it.

    Jackson: And what happens when you find 'em?

    Michael MacCauley: They die. Hypothetically.

    Tony: So what would you do, Mike?

    Michael MacCauley: I'd get all the people left on the train in one car, propose that very scenario.

    Tony: No, no, no, no, no. I mean, would you take the money?

    Michael MacCauley: You know what? I already did.

  • Tony: Hey, Mike, what happened to the guy with the guitar?

    Michael MacCauley: He got off.

    [Tony looks around, confused, knowing the train is just pulling into the station]