Maybe it’s because of the protagonist’s identity. The whole process is full of sympathy. I always hope that the director can give me a little comfort, even if it’s just a small happy ending. The pain that spreads slowly like a knife cut, still makes people admit that this may be the ending of reality. Although there is a metaphor of Korean identity, in fact, the film can be expanded to show the embarrassing and difficult situation of all the drifters, those who live far away from their homeland. Embarrassed and helpless, the embarrassed and humble people who eat instant noodle sausages in the convenience store are really only at the bottom? Every wandering person has had this kind of situation, but it's just that the situation is different? When he was chased and stopped by the police in the mountains, his expression of wanting to cry without tears is still impressive to this day. The director's heart is really cruel. The humble life of a low-level cannon fodder, the immortals fight and the little devils suffer. Immigrants who smuggle in, go to the blame and suffer, the law of the jungle with bloody social groups, just like the violent violence in the film, is thrown in front of the audience, is the dark cannibalism of social operating rules only a Korean characteristic? Then, where are the high-sounding civilized legal rights and human rights in the blood and blood of the bottom of the rampage?
It is from this point of view that the director's film is not only about the social issues of an ethnic group, but only with emotion, it's good to go home. . .
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